Theatre Quotes

Good theater anywhere is good for theater everywhere.

The Actor should make you forget the existence of author and director, and even forget the actor.

The purpose of playing, whose end, both at the first and now, was and is to hold, as 'twere, the mirror up to nature. [Hamlet]

People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic.

I open with a clock striking, to beget an awful attention in the audience -- it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.

I want to make the audience laugh and cry within ten seconds, to show just how close those emotions are.

Actors ought to be larger than life. You come across quite enough ordinary, nondescript people in daily life and I don't see why you should be subjected to them on the stage too.

You have two kinds of shows on Broadway -- revivals and the same kind of musicals over and over again, all spectacles. You get your tickets for 'The Lion King' a year in advance, and essentially a family comes as if to a picnic, and they pass on to their children the idea that that's what the theater is -- a spectacular musical you see once a year, a stage version of a movie. It has nothing to do with theater at all. It has to do with seeing what is familiar. We live in a recycled culture.

A lot of the actresses who have had most impact in musicals have been character actresses. And character is an essential ingredient of the best shows. In Merrily We Roll Along, for instance, I got to play a character with such a marvellous span - from boozy, fat, cynical 45-year-old to an 18-year-old in love with life ... I'd rather see her [Dame Judi Dench] do a musical than anyone with 10 times the voice.