Theatre Quotes | Page 9 | AACT

Theatre Quotes

Words to the Wise
Quotations from a wide range of theatrical perspectives

For use in newsletters, season or fundraising brochures or emails, presentations--you name it.

Displaying 321 - 360 of 421. Show 5 | 10 | 20 | 40 | 60 results per page.
Category Quote First Last Sourcesort descending
Acting, Directing, General

Opening Night: The night before the play is ready to open.

George Jean Nathan The Audience Book of Theatre Quotations, by Louis Phillips
Acting, Directing, General

I think that first nights should come near the end of a play's run--as indeed, they often do.

Peter Ustinov The Audience Book of Theatre Quotations, by Louis Phillips
Acting

In the theatre, the actor is in total control. The director wasn't in the house last night, the designer wasn't there, the author's dead. It's just us and the audience.

Ian McKellen The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

I started writing for the theatre because I hated it.

Eugene Ionesco The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

I swear fearfully at the conventions of the stage.

Anton Chekhov The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

The Russian dramatist is one who, walking through a cemetery, does not see the flowers on the graves. The American dramatist . . . Does not see the graves under the flowers.

George Jean Nathan The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

One begins with two people on a stage, and one of them had better say something pretty quick.

Moss Hart The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

Show me a congenital eavesdropper with the instincts of a Peeping Tom and I will show you the making of a dramatist.

Kenneth Tynan The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

A good many young writers make the mistake of enclosing a stamped, self-addressed envelope big enough for the manuscript to come back in. This is too much of a temptation.

Ring Lardner The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.

David Mamet The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write.

Tennessee Williams The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

Drama should not present new stories but new relationships.

Frederick Hessel The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

The critics suppose that it is easy to write a play. They aren't aware that writing a good play is difficult and writing a bad one is twice as hard.

Anton Chekhov The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

Failure in the theatre is more dramatic and uglier than in any other form of writing. It costs so much, you feel so guilty.

Lillian Hellman The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

If the nature of human experience changes with the color of a man's skin, then the racists have been right all along.

Athol Fugard The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

Playwriting isn't a calling so much as it is a hazing process.

Paula Vogel The Audience Book of Theatre Quotations, by Louis Phillips
Playwriting

The more acute the experience, the less articulate its expression.

Harold Pinter The Audience Book of Theatre Quotations, by Louis Phillips
General, Management

This is a non-commercial theatre. It's got to be run by a person who sees right from the start that the profits won't be money profits. [On the idea of a Federal Theatre Project, 1934]

Harry Hopkins The Audience Book of Theatre Quotations, by Louis Phillips
General

This is an extremely foolish and stupid and idiotic kind of attitude--to expect theatres to make money. Do the public schools make money? Do libraries make money? Does the zoo make money? Do the sewers make money? It's a community service.

John Hirsch The Audience Book of Theatre Quotations, by Louis Phillips
General

How do you teach someone that a theatre comes about first as an idea, from an individual who has a philosophy and a passion? That a theatre's idea is its heart and individual soul? That the person who creates it must have the desire not only to create work, but also to create the conditions in which that work can live--and in which others can do it as well? How do you teach someone to want to be a midwife as well as a mother.

Robert Kalfin The Audience Book of Theatre Quotations, by Louis Phillips
General, Management

Someone once said that being an artistic director is the intelligent exercise of one's own taste. And that is what I believe with all my heart and soul. If you start second-guessing yourself in advance, I think you're done for.

Andre Bishop The Audience Book of Theatre Quotations, by Louis Phillips
General, Management

The artistic director gratifies his special need to relate to people in a highly accentuated paternalistic and maternalistic fashion.

Philip Weissman The Audience Book of Theatre Quotations, by Louis Phillips
General, Management

I've never quite understood the idea of a "season." Whenever an artistic director says to me, 'I have this slot,' I always start to feel we're parking cars or something.

David Henry Hwang The Audience Book of Theatre Quotations, by Louis Phillips
General

If politics is the art of the possible, theatre is the art of the impossible.

Herbert Blau The Audience Book of Theatre Quotations, by Louis Phillips
General

A nonprofessional theatre is, simply, one comprised of people who do not derive their income from it and do not spend most of their time engaged in it. There are two distinct categories: (1) nonprofessional groups that present plays with some regularity; and (2) nonprofessional groups that are organized on a one-time basis to present a play or a show for some special purpose. The former represents what is known as community theatre, and the latter falls under the heading of amateur theatre (though both types are amateur, or nonprofessional).

Stephen Langley Theatre Management & Production in America
Directing

The truth is that there is no one accepted method for directing, any more than there is for any other art. How a director fares is greatly dependent on who that person is, his collaborators, and the project at hand. To complicate matters, the relationship between product and process isnt't always a direct and causal one. Some directors work themselves to the bone, while others do very little. Paradoxically, they achieve successes and failures in both categories. But it would be naive not to believe that most successful productions occur because of the intensive efforts of a skilled director.

Michael Bloom Thinking Like a Director: A Practical Handbook
Directing

In the most basic terms, the director is a production's primary storyteller. A play has only one plot (including subplots), but it contains many potential stories. The interpretation of the primary characters largely determines the story, so in effect, every production of the same play will inevitably tell a different tale. One of the most important functions a director fulfills is determining, with the actors and designers, which story to tell and how to tell it coherently.

Michael Bloom Thinking Like a Director: A Practical Handbook
Directing

Most directors work from inside out and from the outside in. They concentrate not only on the life of the characters but also on the play's structrual or external elements, including its central conflict, function, event, architecture, and suspense.

Michael Bloom Thinking Like a Director: A Practical Handbook
Acting

The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.

Bruce Miller Acting on the Script (2014)
Acting

You think, you don't just speak. The lines come off the thoughts.

Jeremy Irons American Film magazine
Directing, Diversity & Inclusion

Anti-racist theatre is not about doing all the things to end oppression at once; it’s about doing what you can. Small changes in behavior and thinking can have profound impacts on you and your organizational culture. For me, when directing, those small changes have manifested in changing my adherence to the myth that there wasn’t enough time to do the work, which resulted in pleasantries before rehearsal but no time set aside during rehearsal for people to acknowledge one another. Now every rehearsal I lead begins with a check-in to acknowledge what we’re bringing into the room; access needs are shared, and we honor the indigeneity of the land. Through session agreements we collectively define how we want to do the work. I find people appreciate having the space to bring the fullness of themselves to their art making.

Nicole Brewer American Theatre, September 16, 2019 [ https://www.americantheatre.org/2019/09/16/why-equity-diversity-and-inclusion-is-obsolete/ ]
Acting

To go into acting is like asking for admission to an insane asylum. Anyone may apply, but only the certifiably insane are admitted.

Michael Shurtleff Audition
Acting, Shakespeare

You have to think about the big speeches in Shakespeare as the most important things the character has ever said; they need to be spoken with your chest cut open, your heart bare, and with tremendous passion. You need to tear the words from the sky. If you don't feel like you've run a marathon when you're done, you're not doing it right. It takes courage to open yourself up to an audience like that, letting them see your insides without desperately trying to show them--it takes practice.

Ben Crystal author of Shakespeare on Toast
Acting

I still suffer terribly from stage fright. I get sick with fear. Not every night, but at the beginning and on occasion - not necessarily when I'm expecting it. You just have to cope with it - take it on the chin and work through it, trying to use the adrenalin to perform. keyword=stagefright

Helen Mirren Brainyquote.com
Acting, General

God comes to us in theater [in] the way we communicate with each other, whether it be a symphony orchestra, or a wonderful ballet, or a beautiful painting, or a play. It's a way of expressing our humanity.

Julie Harris Christian Science Monitor 15 May 79
Acting

Act well your part; there all the honor lies.

Alexander Pope Essay on Man, Epistle iv, line 193
Acting

I'm a skilled professional actor. Whether or not I've any talent is beside the point.

Michael Caine Film Yearbook, 1985
Musical Theatre, Playwriting

Musicals were never not cool to me.

Lin-Manuel Miranda Financial Times, 2022
Directing

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

Billy Wilder Friendly Advice (book)
Directing

If you cast wrong, you are in a lot of trouble.

Paul Mazursky Friendly Advice (book)

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