Theatre Quotes | Page 35 | AACT

Theatre Quotes

Words to the Wise
Quotations from a wide range of theatrical perspectives

For use in newsletters, season or fundraising brochures or emails, presentations--you name it.

Displaying 341 - 350 of 421. Show 5 | 10 | 20 | 40 | 60 results per page.
Category Quote First Last Sourcesort descending
General, Management

Someone once said that being an artistic director is the intelligent exercise of one's own taste. And that is what I believe with all my heart and soul. If you start second-guessing yourself in advance, I think you're done for.

Andre Bishop The Audience Book of Theatre Quotations, by Louis Phillips
General, Management

The artistic director gratifies his special need to relate to people in a highly accentuated paternalistic and maternalistic fashion.

Philip Weissman The Audience Book of Theatre Quotations, by Louis Phillips
General, Management

I've never quite understood the idea of a "season." Whenever an artistic director says to me, 'I have this slot,' I always start to feel we're parking cars or something.

David Henry Hwang The Audience Book of Theatre Quotations, by Louis Phillips
General

If politics is the art of the possible, theatre is the art of the impossible.

Herbert Blau The Audience Book of Theatre Quotations, by Louis Phillips
General

A nonprofessional theatre is, simply, one comprised of people who do not derive their income from it and do not spend most of their time engaged in it. There are two distinct categories: (1) nonprofessional groups that present plays with some regularity; and (2) nonprofessional groups that are organized on a one-time basis to present a play or a show for some special purpose. The former represents what is known as community theatre, and the latter falls under the heading of amateur theatre (though both types are amateur, or nonprofessional).

Stephen Langley Theatre Management & Production in America
Directing

The truth is that there is no one accepted method for directing, any more than there is for any other art. How a director fares is greatly dependent on who that person is, his collaborators, and the project at hand. To complicate matters, the relationship between product and process isnt't always a direct and causal one. Some directors work themselves to the bone, while others do very little. Paradoxically, they achieve successes and failures in both categories. But it would be naive not to believe that most successful productions occur because of the intensive efforts of a skilled director.

Michael Bloom Thinking Like a Director: A Practical Handbook
Directing

In the most basic terms, the director is a production's primary storyteller. A play has only one plot (including subplots), but it contains many potential stories. The interpretation of the primary characters largely determines the story, so in effect, every production of the same play will inevitably tell a different tale. One of the most important functions a director fulfills is determining, with the actors and designers, which story to tell and how to tell it coherently.

Michael Bloom Thinking Like a Director: A Practical Handbook
Directing

Most directors work from inside out and from the outside in. They concentrate not only on the life of the characters but also on the play's structrual or external elements, including its central conflict, function, event, architecture, and suspense.

Michael Bloom Thinking Like a Director: A Practical Handbook
Acting

The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.

Bruce Miller Acting on the Script (2014)
Acting

You think, you don't just speak. The lines come off the thoughts.

Jeremy Irons American Film magazine

Pages

  • Facebook
  • AACT on Instagram
  • AACT on LinkedIn
Authorize.Net Merchant - Click to Verify Credit Card Merchant Services