Theatre Quotes

You have to think about the big speeches in Shakespeare as the most important things the character has ever said; they need to be spoken with your chest cut open, your heart bare, and with tremendous passion. You need to tear the words from the sky. If you don't feel like you've run a marathon when you're done, you're not doing it right. It takes courage to open yourself up to an audience like that, letting them see your insides without desperately trying to show them--it takes practice.

You cannot expect people to give to you on an annual basis if they have never heard of your organization or are unaware of what you do in the community and why it is so important. As part of this annual giving plan, your board of directors (with staff help) needs to have a time of brainstorming so you can identify all your “target markets” i.e. those people with whom you need to establish a relationship.

You can't learn to act unless you're criticized. If you tie that criticism to your childhood insecurities you'll have a terrible time. Instead, you must take criticism objectively, pertaining it only to the work being done.

You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you to tell its story. You are the shaman/healer, that's what the storyteller is, and I think it's important for actors to appreciate that. Too often actors think it's all about them, when in reality it's all about the audience being able to recognize themselves in you.

Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well.

Why did I write? Because I found life unsatisfactory.

Wherever it came from, the musical came with its hair mussed and with an innocent, indolent, irreverent look on its bright, bland face.

When you're a young man, Macbeth is a character part. When you're older, it's a straight part.

When you want to put something into your part that is not in the play, you must ask the author--or some other author--to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.