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Theatre Terms

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Displaying 981 - 998 of 998
Theatre Terms (A-Z) Sort descending Definition
WAGON Wheeled platform on which a scene or part of a scene is built to facilitate scene changing.
WAGON SET Wheeled platform on which a complete set is built to facilitate scene changing.
WAGON STAGE Mechanized stage where the scenery is moved into position on large sliding wagons as wide as the proscenium opening, from storage in large areas to the side and rear of the main stage. This system enables incredibly complex and otherwise time-consuming scene changes to occur almost instantly.
WALLOWING or WALLERING

Wallowing (or "wallering") refers to an actor deeply immersing themselves in an emotion, character state, or moment to an extreme, often self-indulgent degree. 

  • It often describes an actor overacting or "hamming it up" while portraying intense, negative emotions like self-pity, grief, or despair, taking a moment of drama to a theatrical extreme.
  • It is closely related to the concept of "chewing the scenery," where an actor is overly dramatic or larger-than-life in a scene
  • It can also refer to a deliberate, slow, and often clumsy physical movement on stage, emphasizing a state of being completely consumed by a situation.
  • It's sometimes used to mean an action with a specific, often critical, attitude—a way of "taking to the bed in despair" to ensure the audience or other characters notice the distress.
  • While it can sometimes refer to a positive, luxurious indulgence in a scene, in the context of acting, it is most often used to criticize a performance that lacks subtlety or is intentionally, over-the-top unhappy.
Wandelprobe

In opera and musical theatre, a “wandelprobe” is a musical rehearsal in which the actors and singers are free to move around on the stage while the band or orchestra plays. They still have to sing the parts they are assigned while moving.

The word "wandelprobe" comes from German and technically means "convertable trial," but in the theatre it translates as a "walking rehearsal." This sets it apart from a seated  rehearsal or "sitzprobe," where the focus is on giving the singers an opportunity to hear the full orchestra, and adjust their performance accordingly. It's sometimes referred to in the U.S. as a "wanderprobe," mostly due to a misunderstanding (or mispronunciation) of "wandel."

The movement in a “wandelprobe” isn't free-range wandering. The performers have to move to the approximate blocking for the production, if not the exact blocking, with the music’s tempo in mind.  There may be stops in order to work with the orchestra or band and the actors or singers in order to figure out how movements go together with the music.

A wandelprobe is usually held before tech starts and there usually are no lighting cues. However, everything is up to the decisions of the director and conductor. A wandelprobe (or even more than one wandelprobe) takes place before the first full dress rehearsal. 

WARDROBE The general name for the costume department, its staff and the accommodation they occupy.
WARDROBE MISTRESS, WARDROBE MASTER, HEAD OF WARDROBE

Person who supervises the dressers, and wardrobe maintenance. 

WARDROBE PLOT Actor-by-actor, scene-by-scene inventory of all the costumes in a production, with a detailed breakdown into every separate item in each costume.
WARM COLOR Generally, a color that is in the yellow/orange/red range, as opposed to a cool (blue/green/purple) or neutral.
WASH

An even, overall illumination that bathes a large area of the stage. Also, a specialized lighting instrument designed for that purpose.

WATTS Unit of electrical power derived from the current (or "quantity" of electricity) multiplied by the voltage (or "pressure" at which the current is delivered). Stage lighting equipment is rated in Watts (or Kilowatts - 1kW being equal to 1000W). This refers to the amount of power required to light the lamp. A higher wattage lamp requires more power and gives a brighter light output.
WAVELENGTH The distance from one point on a vibrating wave to the same point on the next wave. The lengths of the sound waves (wavelengths) we can hear range from one inch to 40 feet. High frequency sounds have short wavelengths (and are more directional), low frequency sounds have long wavelengths (and are less directional). In lighting terms, blue light is short wavelength, green is medium and red is long wavelength. Beyond visible light are the short wavelength Ultra Violet light and the long wavelength Infra Red light.
WEDGE A speaker/sound monitor that is angled so that it can sit on the stage floor and point up at musicians/cast.
WHITE NOISE A type of noise that is produced by combining sounds of all different frequencies together. If you took all of the imaginable tones that a human can hear and combined them together, you would have white noise. Because white noise contains all frequencies, it is frequently used to mask other sounds. If you are in a hotel and voices from the room next-door are leaking into your room, you might turn on a fan to drown out the voices. The fan produces a good approximation of white noise.
WIG MASTER

Person who acquires and styles wigs and hairpieces, and often is in charge of maintaining them through the run of a production.

WINGS 1) The out of view areas to the sides of the acting area. 2) Scenery standing where the acting area joins these technical areas.
WOOFER 1) Part of a speaker system designed to handle the low frequency parts of the signal. 2) A loudspeaker that reproduces low-frequency sounds, such as bass or organ notes.
WORK LIGHTS 1) High wattage lights used in a venue when the stage/auditorium lighting is not on. Used for rehearsals, fit-up, strike, and resetting. 2) Low wattage blue lights used to illuminate offstage obstacles and props tables, etc.