My process is that I will read the play a couple of times and then not do anything until I've spoken with the director, because, of course, there are 500 different ways a play can look--and still honor every word that's in those stage directions. I don't want to think about how it works until I know what the director is interested in, and if the playwright is around, what they're thinking about as they've written it. Then I go away and do my research.
Last Name:
Hauck
First Name:
Rachel
Source:
Interview with the set designer in Stage Directions magazine, August 2019
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