Directing | Page 3 | AACT

Directing

In the most basic terms, the d...

In the most basic terms, the director is a production's primary storyteller. A play has only one plot (including subplots), but it contains many potential stories. The interpretation of the primary characters largely determines the story, so in effect, every production of the same play will inevitably tell a different tale. One of the most important functions a director fulfills is determining, with the actors and designers, which story to tell and how to tell it coherently.
Thinking Like a Director: A Practical Handbook
Michael
Bloom
Directing

The truth is that there is no ...

The truth is that there is no one accepted method for directing, any more than there is for any other art. How a director fares is greatly dependent on who that person is, his collaborators, and the project at hand. To complicate matters, the relationship between product and process isnt't always a direct and causal one. Some directors work themselves to the bone, while others do very little. Paradoxically, they achieve successes and failures in both categories. But it would be naive not to believe that most successful productions occur because of the intensive efforts of a skilled director.
Thinking Like a Director: A Practical Handbook
Michael
Bloom
Directing

I think actors have a greater ...

I think actors have a greater responsibility when doing comedy. It's as easy as anything to get cheap laughs, but that's not the idea at all. "The slight trip syndrome," we call it. With tragedy one can get away with things a bit more because audiences don't always know how to react.
Richmond Magazine, April 2001
Peter
Bowles
Acting
Directing

The purpose of theatre is... m...

The purpose of theatre is... making an event in which a group of fragments are suddenly brought together... in a community which, by the natural laws that make every community, gradually breaks up... At certain moments this fragmented world comes together and for a certain time it can rediscover the marvel of organic life. The marvel of being one.
Peter
Brook
Directing
General

Seen from the point of view of...

Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
Playwrights, Lyricists, Composers On Theater
Ernest
Gold
Directing
Musical Theatre

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