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THEATRE LOGIC

THEATRE LOGIC In is down, down is front, out is up, up is back, off is out, on is in, and of course - right is left, and left is right. A drop shouldn't and a block and fall does neither. A prop doesn't and a cove has no water. Tripping is O.K. A running crew rarely gets anywhere. A purchase line will buy you nothing. A trap will not catch anything. A gridiron has nothing to do with football. A Strike is work (in fact a lot of work). And a green room, thank God, usually isn't. Now that you are fully versed in theatrical terms, Break a leg... but not really!
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I find that kids who take conv...

I find that kids who take conventional approaches whereby they study in theatre schools and then become assistants to established artists at various reputed institutions like Stratford and the National Arts Centre have a kind of fast-track to the knowledge process. Very often they become very useful to the institutions for their knowledge. At the same time they are often are denied the fundamental experiences that you get when you are actually producing your own theatre and making decisions yourself among your own peers. I think it's really important to place more emphasis on that than on getting a formal training. You can probably successfully, after you've gotten the buzz and you've become intoxicated if you want to enhance your knowledge in certain areas then it's worthwhile to go back to the institutions and find a niche. I found my niche though being a stagehand. You can be an assistant. You can be a production assistant. I think the key is to be around people who really, truly love what they are doing first, although they might not necessarily know what they are doing. [Lighting designer Jock Munro]
Jock
Munro
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Lighting

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