Playwriting | AACT

Playwriting

Expectations of what a “Latino play” must do

There are so many ambiguous expectations of what a “Latino play” must do, and how it must represent its people, none of which match the reality of their lived experiences. But that’s what happens when people deal with “the Other”. They tend to want it to conform to preconceived notions, or to glamorize or exoticize it. I’m just interested in showing Latinos as people with the same capacities to succeed or fail in their lives like anyone else.

The Rumpus Interview with Octavio Solis. February 1, 2013 [ https://therumpus.net/2013/02/01/the-rumpus-interview-with-octavio-solis/ ]

Octavio
Solis
Diversity & Inclusion
Playwriting

Diversity & Inclusion

What is Diversity in simple words? Diversity is about a rich mix of differences. It encompasses all the dimensions that make each person one of a kind, including ethnicity, race, age, style, gender, personality, beliefs, experiences, sexual orientation and more. Psychological, physical, and social differences that occur among all individuals. A diverse group, community, or organization is one in which a variety of social and cultural characteristics exist What is Equity in simple words? Equity levels the playing field. The guarantee of fair treatment, access, opportunity, and advancement for all, while striving to identify and eliminate barriers that have prevented full participation of some groups. Tackling equity issues requires an understanding of the root causes of outcome disparities within our society. Equity is the process of ensuring that processes and programs are impartial, fair and provide equal possible outcomes for every individual. Equity is promoting justice, impartiality and fairness within the procedures, processes, and distribution of resources by institutions or systems. Promoting equality should remove discrimination in all of the aforementioned areas. Bullying, harassment or victimization are also considered as equality and diversity issues. Diversity vs Inclusion Diversity doesn’t contradict Inclusion. The extraordinary happens at the intersection of inclusion and diversity. When we come together, the power of each one of us is magnified. By including and appreciating diverse perspectives and backgrounds, we create a stronger commitment, more innovative solutions and better results.
"What is DEI & EDI? – The Complete Guide" on Diversity for Social Impact website
Directing
Diversity & Inclusion
Management
Playwriting

5 Tips to Increase Diversity in Theatre

5 Tips to Increase Diversity in Theatre: 1. Be proactive and participate in outreach to groups that represent actors of color, like Asian-American Performers Action Coalition or the African-American Artists Alliance, to bring them into the casting process. 2. If you’re a playwright, lyricist, book writer, or a creator, ask yourself if the race of your characters is relevant to the story, and if not, specify that. 3. Do your research on racism and internal bias before beginning the creative process. Understanding the history of these issues within the business will help create an inclusive and positive environment. 4. As an actor, be conscious of the roles you accept and be self-reflective about whether your racial or ethnic background or physical abilities would be appropriate for the part you’re playing. 5. Be careful of engaging in tokenism or promoting harmful or damaging caricatures. Truly color-conscious casting gives members of marginalized groups opportunities to play real, developed characters, not one-dimensional stereotypes.
Playbill
Acting
Directing
Diversity & Inclusion
Playwriting

Most plays have four

Most plays have four, five vital moments in the play and the rest of the play is just getting to it. It’s just fill. I don’t know why, whether it’s just to create the sense that it’s real or that you have to spend two hours to experience the power (you have to see not just snapshots). But I find it very boring. I go to sleep when I see plays like that, and I go to sleep writing it. I would just actually fall asleep at the typewriter and would not be able to finish a scene written like that. What’s different now is that my work is much more emotional and connected to story. Because of that and the fact that the air around it is clean, it’s very strange. It reminds me a little bit of Edward Hopper’s paintings—where there’s something very real about the situation, it’s very mundane, but the air is always so clean you feel there’s something wrong.
María Irene
Fornés
Playwriting

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