Theatre Terms | Page 18 | AACT

Theatre Terms

image of question markAs a service to the theatre community, AACT provides over 1000 definitions of theatrical terms.  Fully searchable, our glossary is helpful for technical staff, directors, actors, producers, or anyone wanting to better understand the inner workings of theatre.


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Term Definition Link
DIALOG or DIALOGUE Lines in a stage entertainment or dramatic work, usually those in which at least to persons take part (as opposed to monologue). Thus dramatic or stage dialogue.
DIAPHRAGM
DICHROIC FILTER Glass color filters which reflect all light except that which is the color of the filter, which passes through. Normal gels absorb the unwanted colors, turning the light into heat. Diachronic filters run cooler, and produce a much cooler beam of light. Longer lasting, but a lot more expensive.
DICHROIC LAMP Low voltage display lamp with a reflector that lets heat pass through it, rather than reflecting it. Results in a much "cooler" light.
DIFFUSE To spread light softly, often by use of a diffusing medium.
DIFFUSION/DIFFUSING MEDIUM A filter used to soften the edges of a light beam. Different strengths of diffuser (sometimes called "frost") are available from many color filter manufacturers.
DIGITAL Many electronic devices use digital logic. Information is handled in separate bits (either ON or OFF) rather than continuously variable analogue signals. Most computer lighting boards give a digital multiplexed output, and most new sound equipment is digital.
DIGITAL DIMMER Dimmers that can respond directly to the digital multiplexed output of the lighting desk. The technology also permits the dimmer to report faults and other data back to the control board.
DIGITAL RECORDING 1) ADAM : (Akai Digital Audio Multitrack). 12 track recording onto Video 8 tape. 16 bit, 44)1 or 48kHz sampling rate. 2) DAT (Digital Audio Tape) Cassette-like system which has much higher quality than standard audio cassettes. Widely used in gathering sound effects, for news gathering, and for playback of music. 3) DCC (Digital Compact Cassette) Rival to DAT which also plays standard audio cassettes. 4) Mini Disk : Uses computer disk technology, rather than tape. A laser heats an area of magnetic disk which is then written to by a magnetic head. When cooled, the magnetic information is read from the disk by laser. Tracks can be named, and are instant start. Very theatre-friendly system. 5) Direct to Disk : Uses the hard disk present in most PCs as the recording medium.
DIM To decrease the stage illumination, as in "Dim the spot."
DIMMER Electrical or electronic device that controls the amount of electricity passed to a lamp, and therefore the intensity of the lamp.
DIMMER RACK A number of individual dimmer circuits mounted in a cabinet.
DIN Deutscher Industrie Normen. European standard covering audio connectors and tape equalization characteristics.
DISCHARGE LAMP A high-powered source of light produced by means of a discharge between two electrodes. An arc light, for example uses a discharge between two carbon rods which are manually or automatically fed together as they are burnt up. The use of this type of lighting is restricted to non-dimming applications such as followspots and projection, where dimming is achieved by mechanical means. Many of the new generation of moving lights use discharge lamps and diachronic filters.
DISCOVER To reveal a scene, a person, etc., to the audience, often by the opening of a curtain or bringing up stage lighting. Thus, "Barnes is discovered upstage left, smoking."
DISSOLVE UNIT Interface connected between two or more slide projectors and a tape player. Synchronization signals recorded onto the tape are detected by the dissolve unit and fade up the lamp in one slide projector while changing the slide in the other, and then vice versa, producing a dipless crossfade between the two images.
DISTORTION Noisy and unpleasant sound reproduction, usually the result of overloading sound equipment. Reducing the levels can remedy the situation.
DISTRIBUTION BOARD System of interconnected fuse carriers and cabling that routes an incoming power supply to a number of different outputs.
DMX/SMX/RDM

MULTIPLEXED (MUX) SIGNAL
    All modern lighting desks use this serial form of communication with dimmers. All the information from the desk is transmitted along a single pair of cables to the dimmer where a de-multiplexing unit (demux box) decodes the string of data and passes the correct piece of information to the correct dimmer.
    The industry standard protocol (language/standard) for multiplexing has the digital USITT DMX512 (introduced in 1986, based on RS485 data protocol). However, new protocols are continually being added to keep up with more demanding equipment.
    SMX is a communications protocol which enables digital dimmers to 'report back' to the desk on any faults (eg blown lamps).
    RDM (Remote Device Management) is an emerging upgrade to DMX512 which will include bi-directional communication between controller and device.
    DMX512-A (officially ANSI E1.11) is a standard developed at ESTA, which is backwards-compatible with DMX512, but has stricter safety parameters and offers some upgrades of functionality.
    Among the older protocols (pre-DMX512) are D54 which uses a stream of analogue voltage levels and was the Strand standard, and AMX 192 (US Standard, introduced around 1975) which can control up to 192 channels and uses a 4-pin XLR connector. (AMX stands for Analogue Multiplex).

DOCK A place (often a raised platform) for the loading or unloading of materials.

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