Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Playwriting |
A good play tells us the truth about its hero; but a bad play tells us the truth about its author. |
G.K. | Chesterton | http://www.ag.wastholm.net/category/art |
General |
I didn't like the play. But I saw it under unfavorable circumstances -- the curtains were up. |
Groucho | Marx | http://www.ag.wastholm.net/category/art |
Acting |
If you have the emotion, it infects you and the audience. If you don't have it don't bother; just say your lines as truthfully as you are capable of doing. You can't fake emotion. |
Sanford | Meisner | http://www.aldersonstudio.com/quotes/index.html |
Acting |
The only way to deal with yourself as an actor is to follow the emotional truth of what you have to do under the imaginary circumstances. And as you develop you become confident. You come to believe in what you're doing and trust it because it's out of you. |
Sanford | Meisner | http://www.aldersonstudio.com/quotes/index.html |
Acting |
You can't learn to act unless you're criticized. If you tie that criticism to your childhood insecurities you'll have a terrible time. Instead, you must take criticism objectively, pertaining it only to the work being done. |
Sanford | Meisner | http://www.aldersonstudio.com/quotes/index.html |
Acting |
The truth of ourselves is the root of our acting. |
Sanford | Meisner | http://www.aldersonstudio.com/quotes/index.html |
Set Design |
If I weren't a theatre designer, I wouldn't be any other kind of designer. Design is interesting to me as it relates to narrative: the design has to support the narrative. Storytelling is the most important thing. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Set Design |
I have a large personal collection of pictures. For every project, I choose images. Usually I don't do this until I've done an extensive script breakdown and distilled the text down to poetic form. I have to plant enough seeds so that there will be vibration. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Set Design |
I want everyone to feel as much as possible as if they inhabit the same space. They more fluid the relationship between actor and audience, the better. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Acting |
Every performer has moments of self doubt. The great ones, however,overcome every obstacle to reach their full artistic potential. It takes talent, to be sure, but it also takes a personality that simply will not settle for second best. That's what makes us respect the effort and admire the results. |
Unknown | www.angelfire.com/dc/musicthea/Quotes.html | |
General |
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself. |
Bertolt | Brecht | www.angelfire.com/dc/musicthea/Quotes.html |
Acting, Directing |
Audiences know what to expect. . . and that is all they are prepared to believe in. |
Tom | Stoppard | www.angelfire.com/dc/musicthea/Quotes.html |
General |
Good theater anywhere is good for theater everywhere. |
Frank | Schneeberger | www.angelfire.com/dc/musicthea/Quotes.html |
Acting |
I don't care if people think I'm an overactor. People who think that would call Van Gogh an overpainter. |
Jim | Carey | www.angelfire.com/dc/musicthea/Quotes.html |
Acting |
We've put a man on the moon. If you miss a cue, no one will die. |
Shelli | Aderman | www.angelfire.com/dc/musicthea/Quotes.html |
General |
THEATRE LOGIC A drop shouldn't and a Tripping is O.K. A Strike is work |
Unknown | www.angelfire.com/dc/musicthea/Quotes.html | |
Acting |
I would like to be going all over the kingdom...and acting everywhere. There's nothing in the world equal to seeing the house rise at you, one sea of delightful faces, one hurrah of applause! |
Charles | DIckens | www.angelfire.com/dc/musicthea/Quotes.html |
Costumes, Set Design |
I think the best shows are always the ones where the elements come together very well and where the intention is realized. These are the shows in which what you set out do is what you end up with. Through very fortunate circumstances, like the combination of a good director, a good cast, and other people designing, you all manage to end up at the point that you intended when you started out. Nothing is ever perfect and there are always things that you'd perhaps do differently but I think that as long as you get a sense of fulfillment from a show then it is going to be a good experiences. [Christina Poddubiuk, Set and Costume designer] |
Christina | Poddubiuk | http://www.artsalive.ca |
Costumes |
If you do a certain amount of work on your own before consulting with the director then the process starts with the script. I tend to do a certain amount of my own work before I go into a first meeting. It is important to be open minded in your first meeting with a director but I like to be well-prepared for that meeting because sometimes that time with your director can be limited. At the time of that first meeting, I will have read the play several times and from different points of view. I might read the play once to just check how many costume changes there are. I will read it again to make a prop list. I will read it again to analyse where the entrances and exits are and also to imagine where the furniture will be. It's difficult to concentrate on all of these things in one reading so I go through these processes in separate readings. Once you have that under your belt, depending on the period of the production, I guess I start to do visual research based on my response to the text. Depending on where and when I might choose to look at photography of the period or I might choose to look at painting or I might just look at history books and look for thematic influences. That's the start and having done that you team up with your director and see what their response is to those ideas you have and then you start to form a stronger direction. [Christina Poddubiuk, Set and Costume designer] |
Christina | Poddubiuk | http://www.artsalive.ca |
General, Lighting |
I find that kids who take conventional approaches whereby they study in theatre schools and then become assistants to established artists at various reputed institutions like Stratford and the National Arts Centre have a kind of fast-track to the knowledge process. Very often they become very useful to the institutions for their knowledge. At the same time they are often are denied the fundamental experiences that you get when you are actually producing your own theatre and making decisions yourself among your own peers. I think it's really important to place more emphasis on that than on getting a formal training. You can probably successfully, after you've gotten the buzz and you've become intoxicated if you want to enhance your knowledge in certain areas then it's worthwhile to go back to the institutions and find a niche. I found my niche though being a stagehand. You can be an assistant. You can be a production assistant. I think the key is to be around people who really, truly love what they are doing first, although they might not necessarily know what they are doing. [Lighting designer Jock Munro] |
Jock | Munro | http://www.artsalive.ca |
Lighting |
Theatre is interesting because it's a very collaborative process. Typically I'm working with a director, a set designer, a costume designer and a sound designer too. That means that there are a number of perspectives that are brought into any particular script. Typically the director has the final say in where we go conceptually with a piece but we all have an opportunity to influence that direction and typically that direction is based on the script. As such, my studies in english and philosophy have enriched my ability to take a look at a text and react to it in my own way so that I can bring to the table what I consider to be an informed perspective. Then we negotiate the project's process and it's always quite enriching. Projects basically come out of a bond of trust that you have created. As I have progressed throughout my career I have gravitated to people who I feel a common bond with; who I seem to be able to communicate with. We establish a trust and then we go about our project. Very often I will work with someone for three or four years and we will have a particularly creative time and then, for whatever reasons, we will go our separate ways and new bonds will be established. It's an extremely communal approach to the arts. [Lighting designer Jock Munro] |
Jock | Munro | http://www.artsalive.ca |
Lighting |
I think that the first thing that I learned about lighting design was that there are no real rules involved and that as long as I remembered this then my lighting would remain fresh and interesting to me and hopefully to the audience and to the people that I collaborate with. |
Jock | Munro | http://www.artsalive.ca |
Set Design |
Eugene Lee is a set designer who's famously said that he hates scenery. The reason it's such a joy to work with him is he's never designing the scenery, he's designing the room in which theater is going to take place. It makes for a much more vibrant conversation about what we're going to work on together. [Oskar Eustis , artistic director of the Public Theater, Boston] |
Oskar | Eustis | http://www.boston.com/ae/theater_arts/articles/2007/01/21/the_joy_of_sets |
Acting, Set Design |
I started off as a theatre designer, and by some extraordinary circumstance I saw something in Stratford-upon-Avon, and realized that that's the kind of design I want, but also that that's the kind of designer I'll never be. |
Judi | Dench | http://www.brainyquote.com |
Acting |
I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don't go. |
Uta | Hagen | http://www.brainyquote.com |
Acting |
Once in awhile, there's stuff that makes me say, That's what theatre's about. It has to be a human event on the stage, and that doesn't happen very often. |
Uta | Hagen | http://www.brainyquote.com |
Playwriting |
Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull. |
Rod | Serling | http://www.brainyquote.com |
General |
The theatre was created to tell people the truth about life and the social situation. |
Stella | Adler | http://www.brainyquote.com |
General |
The theatre is a spiritual and social X-ray of its time. |
Stella | Adler | http://www.brainyquote.com |
General |
The word theatre comes from the Greeks. It means the seeing place. It is the place people come to see the truth about life and the social situation. |
Stella | Adler | http://www.brainyquote.com |
Acting |
I think I'm a better actress for having friends and interests outside the theatre. I wouldn't want to live my life surrounded by other actors all the time. |
Penelope | Keith | http://www.brainyquote.com |
Playwriting |
In a good play every speech should be as fully flavored as a nut or apple. |
J.M. | Synge | http://www.brainyquote.com/ |
Playwriting |
I open with a clock striking, to beget an awful attention in the audience -- it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere. |
Richard Brinsley | Sheridan | http://www.brainyquote.com/ |
Playwriting |
But when I got to SMU and decided to take a playwriting class, I said this isn't a bad idea. If I write characters, they could be as dumb as me, and I don't have to be very smart. |
Beth | Henley | http://www.brainyquote.com/quotes/authors/b/beth_henley.html |
Playwriting |
I've taught both screenwriting and playwriting, and playwriting is both much harder and much more rewarding. One can teach people how to tell a story in cinematic ways, but theater is a much more elusive craft. |
David | Ives | http://www.brainyquote.com/quotes/authors/d/david_ives.html |
Playwriting |
Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well. |
David | Ives | http://www.brainyquote.com/quotes/authors/d/david_ives.html |
General |
No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what was happening in the world. |
Kenneth | Tynan | http://www.brainyquote.com/quotes/authors/k/kenneth_tynan.html |
Critics, Playwriting |
The sheer complexity of writing a play always had dazzled me. In an effort to understand it, I became a critic. |
Kenneth | Tynan | http://www.brainyquote.com/quotes/authors/k/kenneth_tynan.html |
Critics |
Reviewers must normally function as huff-and-puff artists blowing laggard theatergoers stageward. |
Walter | Kerr | http://www.brainyquote.com/quotes/authors/w/walter_kerr.html |
Musical Theatre |
Wherever it came from, the musical came with its hair mussed and with an innocent, indolent, irreverent look on its bright, bland face. |
Walter | Kerr | http://www.brainyquote.com/quotes/authors/w/walter_kerr.html |
Acting |
Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent. |
Alan | Rickman | http://www.brainyquote.com/quotes/quotes/a/alanrickma251358.html |
Acting |
Acting touches nerves you have absolutely no control over. |
Alan | Rickman | http://www.brainyquote.com/quotes/quotes/a/alanrickma251360.html |
Directing |
Directing takes such a big lump out of your life. |
Alan | Rickman | http://www.brainyquote.com/quotes/quotes/a/alanrickma251372.html |
Acting |
Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops. |
George P. | Baker | http://www.brainyquote.com/quotes/quotes/g/georgepba199310.html |
Acting |
Acting is a very limited form of expression and those who take it seriously are very limited people. I take it seriously. |
Judy | Holliday | http://www.brainyquote.com/quotes/quotes/j/judyhollid227986.html |
Musical Theatre |
In musical theater you have to be very big and very animated, while film and television are more toned down. |
Kevin | Richardson | http://www.brainyquote.com/quotes/quotes/k/kevinricha292397.html |
General |
A nation that does not support and encourage its theater is -- if not dead -- dying; just as a theater that does not capture with laughter and tears the social and historical pulse, the drama of its people, the genuine color of the spiritual and natural landscape, has no right to call itself theater; but only a place for amusement. |
Federico | Garcia Lorca | http://www.cfa.ilstu.edu/pguithe/THE344/quotes.html |
Acting |
Acting is an everlasting search for truth. |
Laurence | Olivier | http://www.curtainup.com/quotepro.html |
General |
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible |
Margot | Jones | http://www.curtainup.com/quotepro.html |
General |
If no single reason can fully account for the lack of great work on Broadway these days, there is a factor in the discussion that is rarely mentioned but which has a bearing on what gets produced: the audience. . . It's not audience intelligence that has waned; it's audience passion -- the pro forma Broadway standing ovation now springs from duty not desire.... If that passion exists more in the audience for The Lord of the Rings than for contemporary Broadway musicals, well, at least it is alive somewhere. (2003) |
Brendan | Lemon | http://www.curtainup.com/quotepro.html |
Playwriting |
Playwrights must be allowed to be at less than their best sometimes, without meeting an all-out critical assault. |
Peter | Hall | http://www.curtainup.com/quotepro.html |
Playwriting |
A playwright is someone who lets his guts hang out on the stage. |
Edward | Albee | http://www.curtainup.com/quotepro.html |
Playwriting |
People often ask me how long it takes me to write a play, and I tell them 'all of my life.' |
Edward | Albee | http://www.curtainup.com/quotepro.html |
Acting |
There's a certain secret every actor must have in his work. If you reveal it, you're letting the audience in on the wrinkles and convolutions of your brain. All I want them to do is to see the effect. |
Frank | Langella | http://www.curtainup.com/quotepro.html |
Critics |
People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic. |
George Bernard | Shaw | http://www.curtainup.com/quotepro.html |
Playwriting |
As a writer you're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash. |
Harold | Pinter | http://www.curtainup.com/quotepro.html |
Directing, General, Playwriting |
The stage play is a trial, not a deed of violence. The soul is opened, like the combination of a safe, by means of a word. You don't require an acetylene torch. |
Jean | Giradoux | http://www.curtainup.com/quotepro.html |
Acting |
An actor is at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerize a group of innocents |
Alec | Guinness | http://www.curtainup.com/quotepro.html |
Musical Theatre |
I don't see that many plays, and for me, musicals are rarely pleasing. I feel the actors are being put through a kind of nightmarish labor. They're like animals being forced to pull heavy carts of vegetables at incredible speeds. |
Wallace | Shawn | http://www.curtainup.com/timelyquotes.html |
General |
If no single reason can fully account for the lack of great work on Broadway these days, there is a factor in the discussion that is rarely mentioned but which has a bearing on what gets produced: the audience. . . It's not audience intelligence that has waned; it's audience passion -- the pro forma Broadway standing ovation now springs from duty not desire. . . If that passion exists more in the audience for The Lord of the Rings than for contemporary Broadway musicals, well, at least it is alive somewhere. |
Brendan | Lemon | http://www.curtainup.com/timelyquotes.html |