Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category |
Quote |
First | Last | Source |
|---|---|---|---|---|
| Acting |
I learned acting by doing it. And although I had never taken an acting class, it didn't take long to learn how to be on the stage. All you have to do is to be humiliated in front of an audience a few times. If you don't like being humiliated publicly, you learn how to act. |
Ron | Vawter | The Audience Book of Theatre Quotations, by Louis Phillips |
| Musical Theatre |
I know the world is filled with troubles and many injustices. But reality is as beautiful as it is ugly. I think it is just as important to sing about beautiful mornings as it is to talk about slums. I just couldn't write anything without hope in it. |
Oscar | Hammerstein | |
| Playwriting |
I haven't really written my plays and books -- I've heard them. The stories are there already, singing in your genes and in your blood. |
Sebastian | Barry | |
| Acting |
I have to act to live. |
Laurence | Olivier | http://theatre.usc.edu/whatistheatre |
| Acting |
I have no intention of uttering my last words on the stage. Room service and a couple of depraved young women will do me quite nicely for an exit. |
Peter | O'Toole | |
| Playwriting |
I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people, really. |
Tennessee | Williams | |
| Critics |
I have always been very fond of them . . . I think it is so frightfully clever of them to go night after night to the theatre and know so little about it. |
Noel | Coward | www.musicals101.com/noelquot.htm |
| Playwriting |
I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success. |
Tennessee | Williams | |
| Set Design |
I have a large personal collection of pictures. For every project, I choose images. Usually I don't do this until I've done an extensive script breakdown and distilled the text down to poetic form. I have to plant enough seeds so that there will be vibration. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
| General, Lighting |
I find that kids who take conventional approaches whereby they study in theatre schools and then become assistants to established artists at various reputed institutions like Stratford and the National Arts Centre have a kind of fast-track to the knowledge process. Very often they become very useful to the institutions for their knowledge. At the same time they are often are denied the fundamental experiences that you get when you are actually producing your own theatre and making decisions yourself among your own peers. I think it's really important to place more emphasis on that than on getting a formal training. You can probably successfully, after you've gotten the buzz and you've become intoxicated if you want to enhance your knowledge in certain areas then it's worthwhile to go back to the institutions and find a niche. I found my niche though being a stagehand. You can be an assistant. You can be a production assistant. I think the key is to be around people who really, truly love what they are doing first, although they might not necessarily know what they are doing. [Lighting designer Jock Munro] |
Jock | Munro | http://www.artsalive.ca |
