Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category | Quote | First |
Last |
Source |
|---|---|---|---|---|
| Acting, Backstage, Directing |
An actor without techies is a naked person standing in the dark trying to emote. A techie without actors is a person with marketable skills. |
Mark | Leslie | http://www.denagy.com/techiejokes/tjokes.html |
| Acting |
Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model. |
George | Lewes | The Audience Book of Theatre Quotations, by Louis Phillips |
| Acting |
It is widely acknowledged to be the toughest job to get any two acting teachers to agree about anything. |
Robert | Lewis | The Audience Book of Theatre Quotations, by Louis Phillips |
| General |
The theater has to impose itself on the public, and not the public on the theater... The word "Art" should be written everywhere, in the auditorium and in the dressing rooms, before the word "Business" gets written there. |
Federico Garcia | Lorca | |
| Management |
In community theatres, "doers" seem to do the following: act, direct, choreograph, accompany, design, build, find, sew, sell, or usher. "Managers" plan, organize, staff, supervise and evaluate. Doers, like directors and crew chiefs, also "manage," and managers like stage managers also sometimes "do"--find props, paint sets, or hang lights. Leaders can also be managers and/or doers, but in their leadership capacity their activities include these: dreaming, pushing, causing to grow, problem-solving and inspiring. Their qualities of intelligence, imagination, commitment, perseverance, and passion are the very qualities that invite the rest of us to say "Yes!" |
Twink | Lynch | Boards In the Spotlight, p. 95 |
| Set Design |
Theatrical design is different from many other art forms in that it is a collaborative art. No one theatre artist works independently to create a performance. |
Kaoime | Malloy | The Art of Theatrical Design |
| Costumes |
The moment an actor walks on stage, an impression is made. The audience immediately gains crucial information, both about the production as a whole and the character. A costume is a transformation garment, one that assists an actor to beomce, for a time, someone else. |
Kaoime | Malloy | The Art of Theatrical Design |
| Playwriting |
A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten. |
David | Mamet | |
| Acting, Playwriting |
It is the writer's job to make the play interesting. It is the actor's job to make the performance truthful. |
David | Mamet | The Audience Book of Theatre Quotations, by Louis Phillips |
| Playwriting |
Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case. |
David | Mamet | The Audience Book of Theatre Quotations, by Louis Phillips |
