Theatre Quotes | Page 21 | AACT

Theatre Quotes

Words to the Wise
Quotations from a wide range of theatrical perspectives

For use in newsletters, season or fundraising brochures or emails, presentations--you name it.

Displaying 401 - 420 of 421. Show 5 | 10 | 20 | 40 | 60 results per page.
Category Quote Firstsort ascending Last Source
Directing

This ain't Chekhov, you know! [comment to cast during a rehearsal for "H.M.S. Pinafore"]

Alan Stambusky
General

Theater is life, film is art, television is furniture.

Unknown
General

All the world's a stage. Some of us just have better seats.

Unknown
Lighting, Set Design

When it's good design, you alone will know. When it's bad design - everyone will tell you!

Unknown
General

The aim of art is to represent not the outward appearance of things, but their inward significance.

Aristotle The Audience Book of Theatre Quotations, by Louis Phillips
Acting, Directing, General, Playwriting

The only way to see the value of a play is to see it acted.

Voltaire
General

It is the characteristic of the most stringent censorships that they give credibility to the opinions they attack.

Voltaire
Acting, Directing

The two happiest days in a theatre person's life: The day you start on a new show and the day the thing closes.

Unknown
Management

What constitutes a good manager in this field? He must be knowledgeable in the art with which he is concerned, an impresario, labor negotiator, diplomat, educator, publicity and public relations expert, politician, skilled businessman, a social sophisticate, a servant of the community, a tireless leader -- becomingly humble before authority -- a teacher, a tyrant, and a continuing student of the arts.

Rockefeller Panel Report Rockefeller Panel Report: The Performing Arts
Management

As nearly everyone knows, a manager has practically nothing to do except to decide what is to be done; to tell somebody to do it; to listen to reasons why it should not be done, why it should be done by someone else, or why it should be done in a different way; to follow up to see if the thing has been done; to discover that it has not; to inquire why; to listen to excuses from the person who should have done it; to follow up again to see if the thing has been done, only to discover that it has been done incorrectly; to point out how it should have been done; to conclude that as long as it has been done, it may as well be left where it is; to wonder if it is not time to get rid of a person who cannot do a thing right; to reflect that he or she probably has a family, and that certainly any successor would be just as bad, and maybe worse; to consider how much simpler and better the thing would have been done if one had done it oneself in the first place; to reflect sadly that one could have done it right in 20 minutes, and, as things turned out, one had to spend two days to find out why it has taken three weeks for somebody else to do it wrong.

Unknown
Backstage, Management

Tell me and I'll forget, show me and I may remember, involve me and I'll understand.

Chinese Proverb
General

THEATRE LOGIC
In is down, down is front,
out is up, up is back,
off is out, on is in,
and of course -
right is left, and left is right.

A drop shouldn't and a
block and fall does neither.
A prop doesn't and
a cove has no water.

Tripping is O.K.
A running crew rarely gets anywhere.
A purchase line will buy you nothing.
A trap will not catch anything.
A gridiron has nothing to do with football.

A Strike is work
(in fact a lot of work).
And a green room, thank God, usually isn't.
Now that you are fully versed in theatrical terms,
Break a leg...
but not really!

Unknown www.angelfire.com/dc/musicthea/Quotes.html
Acting

Every performer has moments of self doubt. The great ones, however,overcome every obstacle to reach their full artistic potential. It takes talent, to be sure, but it also takes a personality that simply will not settle for second best. That's what makes us respect the effort and admire the results.

Unknown www.angelfire.com/dc/musicthea/Quotes.html
Fundraising

You cannot expect people to give to you on an annual basis if they have never heard of your organization or are unaware of what you do in the community and why it is so important. As part of this annual giving plan, your board of directors (with staff help) needs to have a time of brainstorming so you can identify all your “target markets” i.e. those people with whom you need to establish a relationship.

NonprofitExpert.com http://www.nonprofitexpert.com/annualgiving.htm
Acting

A fool cannot be an actor, though an actor may act a fool's part.

Sophocles http://www.giga-usa.com/quotes/topics/acting_t003.htm
Backstage

Definition of Stage Manager: The person who rarely gets credit when everything goes right.

Anonymous
Acting

I don't make mistakes, I have unintentional improvisations.

Anonymous
Fundraising

Most giving is 80% emotion and 20 % rational. And the best way to get to someone's emotions is to tell a story.

Unknown
Directing, Diversity & Inclusion, Management

A diversity of voices is inherently innovative—the form of theatre changes depending on who is telling the story. By investing in diversifying the voices that are amplified through live theatre, we are contributing to the growth of the art form.

Round House Theatre

Round House Theatre statement on Equity, Diversity, Inclusion, and Accessibility [ https://www.roundhousetheatre.org/About/Equity,-Diversity,-and-Inclusion ]

Acting, Directing, Diversity & Inclusion, Playwriting

5 Tips to Increase Diversity in Theatre:

1. Be proactive and participate in outreach to groups that represent actors of color, like Asian-American Performers Action Coalition or the African-American Artists Alliance, to bring them into the casting process.

2. If you’re a playwright, lyricist, book writer, or a creator, ask yourself if the race of your characters is relevant to the story, and if not, specify that.

3. Do your research on racism and internal bias before beginning the creative process. Understanding the history of these issues within the business will help create an inclusive and positive environment.

4. As an actor, be conscious of the roles you accept and be self-reflective about whether your racial or ethnic background or physical abilities would be appropriate for the part you’re playing.

5. Be careful of engaging in tokenism or promoting harmful or damaging caricatures. Truly color-conscious casting gives members of marginalized groups opportunities to play real, developed characters, not one-dimensional stereotypes.

Playbill

Playbill, June 23, 2017 [ https://www.playbill.com/article/5-steps-toward-making-theatre-more-diverse ]

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