Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Directing, Diversity & Inclusion, General, Management |
Diversity is key to creativity. Really, how much does it cost to talk and engage with people who don’t look and sound like you, or are a different age, gender or skin color, or to work with artists and organizations who operate in different spheres to the one in which you operate? |
Lyn | Gardner |
The Guardian Theatre Blog, Jan. 6, 2015 [ https://www.theguardian.com/stage/theatreblog/2015/jan/06/diversity-crea... ] |
General |
The arts are at the very center of community development in this time of change...change for the better. The frontier and all that it once meant in economic development and in the sheer necessity of building a nation is being replaced by the frontier of the arts. In no other way can Americans so well express the core and blood of their democracy; for in the communities lies the final text of the acceptance of the arts as a necessity of everyday life. In terms of American democracy, the arts are for everyone. They are not reserved for the wealthy, or for the well-endowed museum, the gallery, or the ever-subsidized regional professional theater. As America emerges into a different understanding of her strength, it becomes clear that her strength is in the people and the places where the people live. The people, if shown the way, can create art in and of themselves. |
Robert | Gard | |
General |
A nation that does not support and encourage its theater is -- if not dead -- dying; just as a theater that does not capture with laughter and tears the social and historical pulse, the drama of its people, the genuine color of the spiritual and natural landscape, has no right to call itself theater; but only a place for amusement. |
Federico | Garcia Lorca | http://www.cfa.ilstu.edu/pguithe/THE344/quotes.html |
General |
January, month of empty pockets! Let us endure this evil month, anxious as a theatrical producer's forehead. |
Sidonie | Gabrielle | |
Playwriting |
If the nature of human experience changes with the color of a man's skin, then the racists have been right all along. |
Athol | Fugard | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
In my plays I want to look at life -- at the commonplace of existence -- as if we had just turned a corner and run into it for the first time. |
Christopher | Fry | http://www.satheatre.com/quotes.htm |
General |
I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life. |
E.M. | Forster | |
Playwriting |
Most plays have four, five vital moments in the play and the rest of the play is just getting to it. It’s just fill. I don’t know why, whether it’s just to create the sense that it’s real or that you have to spend two hours to experience the power (you have to see not just snapshots). But I find it very boring. I go to sleep when I see plays like that, and I go to sleep writing it. I would just actually fall asleep at the typewriter and would not be able to finish a scene written like that. What’s different now is that my work is much more emotional and connected to story. Because of that and the fact that the air around it is clean, it’s very strange. It reminds me a little bit of Edward Hopper’s paintings—where there’s something very real about the situation, it’s very mundane, but the air is always so clean you feel there’s something wrong. |
María Irene | Fornés | |
Acting |
The performance is not an illusionist copy of reality, its imitation; nor is it a set of conventions, accepted as a kind of deliberate game, playing at a seperate theatrical reality... The actor does not play, does not imitate, or pretend. He is himself. |
Ludwik Flaszen | Flaszen | Grotowski's Laboratory |
Lighting |
Oftentimes the quality of the light tells the story: the time of day, the weather, whether sun is streaming through the window. It can also help you appreciate what the actor is feeling, what the playwright wants you to feel. Any engineer can put a spot on someone. |
Jules | Fisher | It Happened On Broadway |