Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category | Quote |
First |
Last | Source |
|---|---|---|---|---|
| Costumes, Set Design |
I think the best shows are always the ones where the elements come together very well and where the intention is realized. These are the shows in which what you set out do is what you end up with. Through very fortunate circumstances, like the combination of a good director, a good cast, and other people designing, you all manage to end up at the point that you intended when you started out. Nothing is ever perfect and there are always things that you'd perhaps do differently but I think that as long as you get a sense of fulfillment from a show then it is going to be a good experiences. [Christina Poddubiuk, Set and Costume designer] |
Christina | Poddubiuk | http://www.artsalive.ca |
| Acting |
The basic essential of a great actor is that he loves himself in acting. |
Charles | Chaplin | |
| Management, Volunteers |
I consider my ability to arouse enthusiasm among my people the greatest asset I possess, and the way to develop the best that is in a person is by appreciation and encouragement. |
Charles | Schwab | |
| Acting |
I would like to be going all over the kingdom...and acting everywhere. There's nothing in the world equal to seeing the house rise at you, one sea of delightful faces, one hurrah of applause! |
Charles | DIckens | www.angelfire.com/dc/musicthea/Quotes.html |
| Acting |
Never not dare to hang yourself. That's the only way you grow in your profession. You must continually attempt things that you think are beyond you, or you get into a complete rut. |
Charles | Laughton | Wikipedia (under Bette Davis) |
| Acting |
Good actors are good because of the things they can tell us without talking. When they are talking they are the slaves of the dramatist. It is what they can show the audience when they are not talking that reveals the fine actor. |
Cedric | Hardwicke | The Audience Book of Theatre Quotations, by Louis Phillips |
| Costumes, Set Design |
Be daring, be different, be impractical; be anything that will assert integrity of purpose and imaginative vision against the play-it-safers, the creatures of the commonplace, the slaves of the ordinary. Routines have their purposes, but the merely routine is the hidden enemy of high art. [Advice to theatrical designers,] |
Cecil | Beaton | The Secret of How to Startle Theatre Arts May 57 |
| Acting |
Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you. |
Carol | Channing | It Happened On Broadway |
| Acting |
The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do. |
Bruce | Miller | Acting on the Script (2014) |
| Acting, Directing, General |
Although the theater is not life, it is composed of fragments or imitations of life, and people on both sides of the footlight have to unite to make the fragments whole and the imitations genuine. |
Brooks | Atksinson |
