Theatre Quotes | Page 5 | AACT

Theatre Quotes

Words to the Wise
Quotations from a wide range of theatrical perspectives

For use in newsletters, season or fundraising brochures or emails, presentations--you name it.

Displaying 81 - 100 of 421. Show 5 | 10 | 20 | 40 | 60 results per page.
Category Quote First Lastsort ascending Source
Acting

The main difference between the art of the actor and all other arts is that every other [non-performing] artist may create whenever he is in the mood of inspiration. But the artist of the stage must be the master of his own inspiration, and must know how to call it forth at the hour announced on the posters of the theatre. This is the chief secret of our art.

Konstantin Stanislavsky The Audience Book of Theatre Quotations, by Louis Phillips
Acting

Young actors, fear your admirers! Learn in time, from your first steps, to hear, understand and love the cruel truth about yourselves. Find out who can tell you that truth and talk of your art only with those who can tell you the truth.

Konstantin Stanislavsky http://www.giga-usa.com/quotes/topics/acting_t004.htm
Lighting

In a circle of light on the stage in the midst of darkness, you have the sensation of being entirely alone. . . . This is called solitude in public. . . . You can always enclose yourself in this circle, like a snail in its shell.

Konstantin Stanislavsky The Audience Book of Theatre Quotations, by Louis Phillips
Acting, Directing

All action in theatre must have inner justification, be logical, coherent, and real.

Constantin Stanislavski
Acting

There are no small parts, there are only small actors.

Konstantin Stanislavksy The Audience Book of Theatre Quotations, by Louis Phillips
Directing

This ain't Chekhov, you know! [comment to cast during a rehearsal for "H.M.S. Pinafore"]

Alan Stambusky
Acting, Musical Theatre

A lot of the actresses who have had most impact in musicals have been character actresses. And character is an essential ingredient of the best shows. In Merrily We Roll Along, for instance, I got to play a character with such a marvellous span - from boozy, fat, cynical 45-year-old to an 18-year-old in love with life ... I'd rather see her [Dame Judi Dench] do a musical than anyone with 10 times the voice.

Samantha Spiro London Sunday Times Culture Magazine, 25.3.01
Acting

A fool cannot be an actor, though an actor may act a fool's part.

Sophocles http://www.giga-usa.com/quotes/topics/acting_t003.htm
General

You have two kinds of shows on Broadway -- revivals and the same kind of musicals over and over again, all spectacles. You get your tickets for 'The Lion King' a year in advance, and essentially a family comes as if to a picnic, and they pass on to their children the idea that that's what the theater is -- a spectacular musical you see once a year, a stage version of a movie. It has nothing to do with theater at all. It has to do with seeing what is familiar. We live in a recycled culture.

Stephen Sondheim NY Times 3/12/00
Diversity & Inclusion, Playwriting

There are so many ambiguous expectations of what a “Latino play” must do, and how it must represent its people, none of which match the reality of their lived experiences. But that’s what happens when people deal with “the Other”. They tend to want it to conform to preconceived notions, or to glamorize or exoticize it. I’m just interested in showing Latinos as people with the same capacities to succeed or fail in their lives like anyone else.

Octavio Solis

The Rumpus Interview with Octavio Solis. February 1, 2013 [ https://therumpus.net/2013/02/01/the-rumpus-interview-with-octavio-solis/ ]

Fundraising

Donors don't give to institutions. They invest in ideas and people in whom they believe.

G.T. Smith http://www.museummarketingtips.com/quotes/giving.html
Acting

Actors ought to be larger than life. You come across quite enough ordinary, nondescript people in daily life and I don't see why you should be subjected to them on the stage too.

Donald Sinden
Playwriting

Once after Barefoot In the Park had been playing for about a week I went back to see it, watching the audience, which was just falling over laughing except for one guy sitting the aisle. I was transfixed. I said to myself, there seems to be no way to get to him. No one else would I watch except this one man. My wife joined me about 20 minutes later and asked me how it was going, and I said, terrible. I really meant it. There was no way to get to this man. It destroyed me.

Neil Simon Playwrights, Lyricists, Composers On Theater
Playwriting

I want to make the audience laugh and cry within ten seconds, to show just how close those emotions are.

Neil Simon It Happened On Broadway
Acting

To go into acting is like asking for admission to an insane asylum. Anyone may apply, but only the certifiably insane are admitted.

Michael Shurtleff Audition
Playwriting

I open with a clock striking, to beget an awful attention in the audience -- it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.

Richard Brinsley Sheridan http://www.brainyquote.com/
Musical Theatre

I don't see that many plays, and for me, musicals are rarely pleasing. I feel the actors are being put through a kind of nightmarish labor. They're like animals being forced to pull heavy carts of vegetables at incredible speeds.

Wallace Shawn http://www.curtainup.com/timelyquotes.html
Acting

When you want to put something into your part that is not in the play, you must ask the author--or some other author--to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.

George Bernard Shaw Friendly Advice by Jon Winokur
Critics

People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic.

George Bernard Shaw http://www.curtainup.com/quotepro.html
Acting

The purpose of playing, whose end, both at the first and now, was and is to hold, as 'twere, the mirror up to nature. [Hamlet]

William Shakespeare The Audience Book of Theatre Quotations, by Louis Phillips

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