Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Musical Theatre |
In musical theater you have to be very big and very animated, while film and television are more toned down. |
Kevin | Richardson | http://www.brainyquote.com/quotes/quotes/k/kevinricha292397.html |
General |
In is down, down is front. Out is up, up is back. Off is out, on is in. And of course, left is right and right is left. A drop shouldn't and a 'block and fall' does neither. A prop doesn't and a cove has no water. Tripping is okay. A running crew rarely gets anywhere . A purchase line buys you nothing. A trap will not catch anything. A gridiron has nothing to do with football. Strike is work (in fact, a lot of work). And a green room, thank God, usually isn't. Now that you're fully versed in theatrical terms, break a leg. But not really. |
Kerry | Chafin | https://suite.io/kerry-chafin/2nhw2w1 |
Acting, Directing, General, Playwriting |
You need three things in the theatre -- the play, the actors and the audience, and each must give something. |
Kenneth | Haigh | http://www.satheatre.com/quotes.htm |
Playwriting |
Show me a congenital eavesdropper with the instincts of a Peeping Tom and I will show you the making of a dramatist. |
Kenneth | Tynan | The Audience Book of Theatre Quotations, by Louis Phillips |
Critics |
A critic is a man who knows the way but can't drive the car. |
Kenneth | Tynan | New York Times Magazine, Jan 9. 1966 |
General |
No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what was happening in the world. |
Kenneth | Tynan | http://www.brainyquote.com/quotes/authors/k/kenneth_tynan.html |
Critics, Playwriting |
The sheer complexity of writing a play always had dazzled me. In an effort to understand it, I became a critic. |
Kenneth | Tynan | http://www.brainyquote.com/quotes/authors/k/kenneth_tynan.html |
Volunteers |
Volunteers will get you through times of no money better than money will get you through times of no volunteers. |
Ken | Wyman | |
Fundraising |
In good times and bad, we know that people give because you meet needs, not because you have needs. |
Kay | Grace | http://www.museummarketingtips.com/quotes/giving.html |
Acting |
What acting means is that you've got to get out of your own skin. |
Katherine | Hepburn | Friendly Advice by Jon Winokur |
Acting |
Acting is the most minor of gifts and not a very high-class way to earn a living. After all, Shirley Temple could do it at the age of four. |
Katherine | Hepburn | http://www.quotationspage.com/subjects/acting |
Acting |
Acting is not being emotional, but being able to express emotion. |
Kate | Reid | http://www.quotationspage.com/subjects/acting |
Backstage |
Beat to fit, paint to match. |
Kate | Bolgrien | http://www.denagy.com/techiejokes/tjokes.html |
Set Design |
Theatrical design is different from many other art forms in that it is a collaborative art. No one theatre artist works independently to create a performance. |
Kaoime | Malloy | The Art of Theatrical Design |
Costumes |
The moment an actor walks on stage, an impression is made. The audience immediately gains crucial information, both about the production as a whole and the character. A costume is a transformation garment, one that assists an actor to beomce, for a time, someone else. |
Kaoime | Malloy | The Art of Theatrical Design |
Acting, General |
God comes to us in theater [in] the way we communicate with each other, whether it be a symphony orchestra, or a wonderful ballet, or a beautiful painting, or a play. It's a way of expressing our humanity. |
Julie | Harris | Christian Science Monitor 15 May 79 |
Lighting |
Oftentimes the quality of the light tells the story: the time of day, the weather, whether sun is streaming through the window. It can also help you appreciate what the actor is feeling, what the playwright wants you to feel. Any engineer can put a spot on someone. |
Jules | Fisher | It Happened On Broadway |
Lighting |
Lighting is not about function. It's much more about the mood and the emotion that the playwright and the director are trying to create. Our job is to support their poetic direction. |
Jules | Fisher | It Happened On Broadway |
Acting |
Acting is a very limited form of expression and those who take it seriously are very limited people. I take it seriously. |
Judy | Holliday | http://www.brainyquote.com/quotes/quotes/j/judyhollid227986.html |
Acting, Set Design |
I started off as a theatre designer, and by some extraordinary circumstance I saw something in Stratford-upon-Avon, and realized that that's the kind of design I want, but also that that's the kind of designer I'll never be. |
Judi | Dench | http://www.brainyquote.com |
Acting, Shakespeare |
Playing Shakespeare is very tiring. You never get to sit down, unless you're a king. |
Josephine | Hull | The Audience Book of Theatre Quotations, by Louis Phillips |
Costumes |
Next to a tenor, a wardrobe woman is the touchiest thing in show business. [Birdie, in All About Eve] |
Joseph | Mankiewicz | The Audience Book of Theatre Quotations, by Louis Phillips |
General |
The life of the arts, far from being an interruption, a distraction, in the life of a nation, is close to the center of a nation's purpose -- and is a test of the quality of a nation's civilization. |
John F | Kennedy | |
Acting |
Talk low, talk slow, and don't say too much. |
John | Wayne | Friendly Advice by Jon Winokur |
General, Playwriting |
Farce is tragedy played at a thousand revolutions per minute. |
John | Mortimer | |
Acting |
Being another character is more interesting than being yourself. |
John | Gielgud | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
Acting is half shame, half glory. Shame at exhibiting yourself, glory when you can forget yourself. |
John | Gielgud | The Audience Book of Theatre Quotations, by Louis Phillips |
Directing |
It is very hard to cast a number of plays adequately from the same company of actors without several parts being miscast. |
John | Gielgud | The Audience Book of Theatre Quotations, by Louis Phillips |
General |
This is an extremely foolish and stupid and idiotic kind of attitude--to expect theatres to make money. Do the public schools make money? Do libraries make money? Does the zoo make money? Do the sewers make money? It's a community service. |
John | Hirsch | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting, Backstage, Directing, General |
There is a kind of classlessness in the theater. The rehearsal pianist, the head carpenter, the stage manager, the star of the show--all are family. |
John | Kander | It Happened On Broadway |
Acting |
One mustn't allow acting to be like stockbroker -- you must not take it just as a means of earning a living, to go down every day to do a job of work. The big thing is to combine punctuality, efficiency, good nature, obedience, intelligence, and concentration with an unawareness of what is going to happen next, thus keeping yourself available for excitement. |
John | Gielgud | |
Acting |
A cat actually thinks visibly. If you watch him jump on a shelf, the wish to jump and the action of jumping are one and the same thing... It's in exactly the same way that all Brook's exercises try to train the actor. The actor is trained to become so organically related within himself, he thinks completely with his body. He becomes one sensitive, responding whole... The whole of him is one. |
John | Heilpern | |
Critics |
Asking a working writer what he thinks about critics is like asking a lamppost what it feels about dogs. |
John | Osborne | Time, 31 October 1977 |
Lighting |
I think that the first thing that I learned about lighting design was that there are no real rules involved and that as long as I remembered this then my lighting would remain fresh and interesting to me and hopefully to the audience and to the people that I collaborate with. |
Jock | Munro | http://www.artsalive.ca |
Lighting |
Theatre is interesting because it's a very collaborative process. Typically I'm working with a director, a set designer, a costume designer and a sound designer too. That means that there are a number of perspectives that are brought into any particular script. Typically the director has the final say in where we go conceptually with a piece but we all have an opportunity to influence that direction and typically that direction is based on the script. As such, my studies in english and philosophy have enriched my ability to take a look at a text and react to it in my own way so that I can bring to the table what I consider to be an informed perspective. Then we negotiate the project's process and it's always quite enriching. Projects basically come out of a bond of trust that you have created. As I have progressed throughout my career I have gravitated to people who I feel a common bond with; who I seem to be able to communicate with. We establish a trust and then we go about our project. Very often I will work with someone for three or four years and we will have a particularly creative time and then, for whatever reasons, we will go our separate ways and new bonds will be established. It's an extremely communal approach to the arts. [Lighting designer Jock Munro] |
Jock | Munro | http://www.artsalive.ca |
General, Lighting |
I find that kids who take conventional approaches whereby they study in theatre schools and then become assistants to established artists at various reputed institutions like Stratford and the National Arts Centre have a kind of fast-track to the knowledge process. Very often they become very useful to the institutions for their knowledge. At the same time they are often are denied the fundamental experiences that you get when you are actually producing your own theatre and making decisions yourself among your own peers. I think it's really important to place more emphasis on that than on getting a formal training. You can probably successfully, after you've gotten the buzz and you've become intoxicated if you want to enhance your knowledge in certain areas then it's worthwhile to go back to the institutions and find a niche. I found my niche though being a stagehand. You can be an assistant. You can be a production assistant. I think the key is to be around people who really, truly love what they are doing first, although they might not necessarily know what they are doing. [Lighting designer Jock Munro] |
Jock | Munro | http://www.artsalive.ca |
Acting |
I don't care if people think I'm an overactor. People who think that would call Van Gogh an overpainter. |
Jim | Carey | www.angelfire.com/dc/musicthea/Quotes.html |
Acting, Directing, General |
It is not theatre that is indispensable, but something quite different. To cross the frontiers between you and me. |
Jerzy | Grotowski | |
Acting |
You think, you don't just speak. The lines come off the thoughts. |
Jeremy | Irons | American Film magazine |
Fundraising |
If you need to raise funds from donors, you need to study them, respect them, and build everything you do around them. |
Jeff | Brooks |