Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Lighting |
Lighting design is ultimately not about numbers and calculations. It is about feelings and spontaneous reactions. Although the designer can calculate how 'big and bright' a fixture will be at any distance, from the manufacturer's data sheet, eventually he must just instinctively 'know', how a specific fixture will perform at any distance. This comes from both practice and experience. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
The first rule of stage lighting is...there aren't any. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
Ultimately, the lighting designer must be an artist! He must understand style, composition, balance, esthetics and human emotions. He must also understand the science of light, optics, vision, the psychology of perception and lighting technology. Using these tools the lighting designer must learn to think, feel and create with his heart. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
The lighting designer will never stop learning. Every production or project will present new challenges, new obstacles, new human dynamics and new problems to solve. There can and should be many failures along the way. This is part of the artistic process. The lighting designer shouldn't hesitate to make as many mistakes as possible - just don't make the same mistake twice. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
Stage lighting is no longer a matter of simple illumination as it was less than 100 years ago. Today, the lighting designer is expected to be a master of art, science, history, psychology, communications, politics, and sometimes even mind reading. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
The stage designer quickly learns that things are not always what they appear to be. A director who asks for 'more light' on an actor, probably doesn't mean that at all. Instead he really just wants 'to see the actor better'. The designer might chose to reduce the lighting contrast around the actor, or simply ask the actor to tip his head up a bit. Both solutions solve the problem without 'adding more light'. So the lighting designer also has to be a good listener, a careful interpreter and a skilled crafts person. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
Stage lighting is no longer a matter of simple illumination as it was less than 100 years ago. Today, the lighting designer is expected to be a master of art, science, history, psychology, communications, politics and sometimes even mind reading. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Playwriting |
It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write. |
Tennessee | Williams | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
I can't expose a human weakness on the stage unless I know it through having it myself. |
Tennessee | Williams | http://www.notable-quotes.com/p/playwriting_quotes.html |
Playwriting |
I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people, really. |
Tennessee | Williams |