Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Playwriting |
I've taught both screenwriting and playwriting, and playwriting is both much harder and much more rewarding. One can teach people how to tell a story in cinematic ways, but theater is a much more elusive craft. |
David | Ives | http://www.brainyquote.com/quotes/authors/d/david_ives.html |
Playwriting |
Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well. |
David | Ives | http://www.brainyquote.com/quotes/authors/d/david_ives.html |
Acting |
You'd think is something one would grow out of. But you grow into it. The more you do, the more you realize how painfully easy it is to be lousy and how very difficult to be good. |
Glenda | Jackson | People, March 1985 |
Acting |
Acting is not about dressing up. Acting is about stripping bare. The whole essence of learning lines is to forget them so you can make them sound like you thought of them that instant. |
Glenda | Jackson | |
Fundraising |
The deepest principle in human nature is the craving to be appreciated. |
William | James | http://www.museummarketingtips.com/quotes/giving.html |
Acting, Directing |
The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots. |
Alfred | Jarry | http://izquotes.com/ |
Directing |
One of the issues peculiar to community theater is dealing with inexperienced or outright bad actors who are so unimaginative, so lacking in energy, that no matter what devices you use, you just don't seem to be helping them that much. They will improve. It is your rseponsibility that the actor should ever feel that he or she has failed. |
Ann | Jellicoe | Stage Directions Guide to Directing |
General |
The truth is that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. |
Samuel | Johnson | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
The appearance and retirement of actors are the great events of the theatrical world; and their first performances fill the pit with conjecture and prognostication, as the first actions of a new monarch agitate nations with hope and fear. |
Samuel | Johnson | |
Set Design |
I want everyone to feel as much as possible as if they inhabit the same space. They more fluid the relationship between actor and audience, the better. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Set Design |
I have a large personal collection of pictures. For every project, I choose images. Usually I don't do this until I've done an extensive script breakdown and distilled the text down to poetic form. I have to plant enough seeds so that there will be vibration. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
Set Design |
If I weren't a theatre designer, I wouldn't be any other kind of designer. Design is interesting to me as it relates to narrative: the design has to support the narrative. Storytelling is the most important thing. |
Christine | Jones | http://www.amrep.org/articles/5_2b/creating.html |
General |
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible |
Margot | Jones | http://www.curtainup.com/quotepro.html |
Acting, Diversity & Inclusion, Shakespeare |
In a backstage interview during “The Taming of the Shrew,” Julia exclaims, “Some people think the only way to do Shakespeare is to do it like the British do it, because the British have the answer to Shakespeare! So I would imitate all the British.” He launches into a plummy version of “Othello,” and continues, “But then afterward I started realizing that I didn’t have to do it like that. I could bring myself to it. I could bring my own culture, my own Puerto Rican background, my own Spanish culture, my own rhythms.” Shakespeare benefitted from what Julia brought to his verse, which the actress Rita Moreno describes as salero. “It just means he was spicy,” she says, in the documentary. “And sexy, and tall!” |
Raul | Julia | New Yorker article by Michael Schulman, September 13, 2019 |
General |
How do you teach someone that a theatre comes about first as an idea, from an individual who has a philosophy and a passion? That a theatre's idea is its heart and individual soul? That the person who creates it must have the desire not only to create work, but also to create the conditions in which that work can live--and in which others can do it as well? How do you teach someone to want to be a midwife as well as a mother. |
Robert | Kalfin | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting, Backstage, Directing, General |
There is a kind of classlessness in the theater. The rehearsal pianist, the head carpenter, the stage manager, the star of the show--all are family. |
John | Kander | It Happened On Broadway |
Playwriting |
Remember! the word is playwright --W-R-I-G-H-T -- like wheelwright. A play is not so much written as wrought. it's designed and built and shaped; it's carved out. |
Garson | Kanin | |
Acting |
The secret of staying fresh in a show is to remember that the audience you're playing for that night has never seen it before. |
Danny | Kaye | |
Playwriting |
I write plays for people who wouldn't be seen dead in the theatre. |
Barrie | Keefe | http://izquotes.com/ |
Acting |
I think I'm a better actress for having friends and interests outside the theatre. I wouldn't want to live my life surrounded by other actors all the time. |
Penelope | Keith | http://www.brainyquote.com |