Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Lighting |
Lighting design is ultimately not about numbers and calculations. It is about feelings and spontaneous reactions. Although the designer can calculate how 'big and bright' a fixture will be at any distance, from the manufacturer's data sheet, eventually he must just instinctively 'know', how a specific fixture will perform at any distance. This comes from both practice and experience. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
The first rule of stage lighting is...there aren't any. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
Ultimately, the lighting designer must be an artist! He must understand style, composition, balance, esthetics and human emotions. He must also understand the science of light, optics, vision, the psychology of perception and lighting technology. Using these tools the lighting designer must learn to think, feel and create with his heart. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
The lighting designer will never stop learning. Every production or project will present new challenges, new obstacles, new human dynamics and new problems to solve. There can and should be many failures along the way. This is part of the artistic process. The lighting designer shouldn't hesitate to make as many mistakes as possible - just don't make the same mistake twice. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
Stage lighting is no longer a matter of simple illumination as it was less than 100 years ago. Today, the lighting designer is expected to be a master of art, science, history, psychology, communications, politics, and sometimes even mind reading. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
The stage designer quickly learns that things are not always what they appear to be. A director who asks for 'more light' on an actor, probably doesn't mean that at all. Instead he really just wants 'to see the actor better'. The designer might chose to reduce the lighting contrast around the actor, or simply ask the actor to tip his head up a bit. Both solutions solve the problem without 'adding more light'. So the lighting designer also has to be a good listener, a careful interpreter and a skilled crafts person. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
Stage lighting is no longer a matter of simple illumination as it was less than 100 years ago. Today, the lighting designer is expected to be a master of art, science, history, psychology, communications, politics and sometimes even mind reading. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Playwriting |
It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write. |
Tennessee | Williams | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
I can't expose a human weakness on the stage unless I know it through having it myself. |
Tennessee | Williams | http://www.notable-quotes.com/p/playwriting_quotes.html |
Playwriting |
I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people, really. |
Tennessee | Williams | |
Playwriting |
Why did I write? Because I found life unsatisfactory. |
Tennessee | Williams | |
Playwriting |
I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success. |
Tennessee | Williams | |
Playwriting |
If the writing is honest it cannot be separated from the man who wrote it. |
Tennessee | Williams | |
Playwriting |
Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one's own character to himself. |
Tennessee | Williams | |
Playwriting |
Most playwrights go wrong on the fifth word. When you start a play and you type 'Act one, scene one,' your writing is every bit as good as Arthur Miller or Eugene O'Neill or anyone. It's that fifth word where amateurs start to go wrong. |
Meredith | Willson | |
Playwriting |
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking. |
August | Wilson | http://www.notable-quotes.com/p/playwriting_quotes.html |
Fundraising |
Be thankful for what you have; you'll end up having more. If you concentrate on what you don't have, you will never, ever have enough. |
Oprah | Winfrey | http://www.museummarketingtips.com/quotes/giving.html |
Acting |
Every now and then, when you're on stage, you hear the best sound a player can hear. It's a sound you can't get in movies or in television. It is the sound of a wonderful, deep silence that means you've hit them where they live. |
Shelley | Winters | |
Critics |
Has anybody ever seen a dramatic critic in the daytime? Of course not. They come out after dark, up to no good. |
P.G. | Wodehouse | New York Mirror, 27th May 1955 |
Volunteers |
Volunteers will get you through times of no money better than money will get you through times of no volunteers. |
Ken | Wyman |