Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Acting |
Acting is the expression of a neurotic impulse. It's a bum's life. The principal benefit acting has afforded me is the money to pay for my psychoanalysis. |
Marlon | Brando | |
Acting |
Nobody "becomes" a character. You can't act unless you are who you are. |
Marlon | Brando | Friendly Advice by Jon Winokur |
Acting |
Acting, in general, is something most people think they're incapable of, but they do it from morning to night. The subtlest acting I've ever seen is by ordinary people trying to show they feel something they don't, or trying to hide something. It's something everyone learns at an early age. |
Marlon | Brando | Newsweek, 13 March 1972 |
General |
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself. |
Bertolt | Brecht | www.angelfire.com/dc/musicthea/Quotes.html |
Acting |
Preparing a character is the opposite of building--it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore. |
Peter | Brook | |
Directing, General |
The purpose of theatre is... making an event in which a group of fragments are suddenly brought together... in a community which, by the natural laws that make every community, gradually breaks up... At certain moments this fragmented world comes together and for a certain time it can rediscover the marvel of organic life. The marvel of being one. |
Peter | Brook | |
Directing |
The work of rehearsal is looking for meaning and then making it meaningful. |
Peter | Brook | |
Fundraising |
If you need to raise funds from donors, you need to study them, respect them, and build everything you do around them. |
Jeff | Brooks | |
General |
The primary function of a theater is not to please itself, or even to please its audience. It is to serve talent. |
Robert | Brustein | |
General |
Theatergoing is a communal act, movie going a solitary one. |
Robert | Brustein | http://izquotes.com/ |
Acting |
The most important thing in acting is honesty. If you can fake that, you've got it made. |
George | Burns | Friendly Advice by Jon Winokur |
Acting |
When I was a fireman I was in a lot of burning buildings. It was a great job, the only job I ever had that compares with the thrill of acting. |
Steve | Buscemi | http://theatre.usc.edu/whatistheatre |
Management |
The core challenge for us as arts managers is to deal with change: changing external environmental conditions, evolving styles and approaches to the arts by our artists, advancements iin how we present and distribute our art to our ever-changing audiences, and the shifting competition for resources and attention. |
William J. | Byrnes | Management and the Arts (Fifth Edition) |
Acting |
Walk in, plant yourself, look the other person in the eye, and tell the truth. |
James | Cagney | Friendly Advice by Jon Winokur |
Acting |
First of all, I choose the great roles, and if none of these come, I choose the mediocre ones, and if they don't come, I choose the ones that pay the rent. |
Michael | Caine | |
Acting |
I'm a skilled professional actor. Whether or not I've any talent is beside the point. |
Michael | Caine | Film Yearbook, 1985 |
Acting |
I don't care if people think I'm an overactor. People who think that would call Van Gogh an overpainter. |
Jim | Carey | www.angelfire.com/dc/musicthea/Quotes.html |
Directing |
In comedy, beware the split focus. The audience should focus on the face of the actor. The audience must see the setup. If there is action elsewhere on the stage, the comic line can be lost. |
James | Carver | Stage Directions Guide to Directing |
Directing |
Don't let a single comic moment pass you by; then help the audience get the laughs. Give them permission to laugh by holding for laughter and by letting them know early on what they're in for. In the first few moments, the audience is gathering information, looking at the scenery and costumes. Create a comic moment as soon as you can. |
James | Carver | Stage Directions Guide to Directing |
General |
In is down, down is front. Out is up, up is back. Off is out, on is in. And of course, left is right and right is left. A drop shouldn't and a 'block and fall' does neither. A prop doesn't and a cove has no water. Tripping is okay. A running crew rarely gets anywhere . A purchase line buys you nothing. A trap will not catch anything. A gridiron has nothing to do with football. Strike is work (in fact, a lot of work). And a green room, thank God, usually isn't. Now that you're fully versed in theatrical terms, break a leg. But not really. |
Kerry | Chafin | https://suite.io/kerry-chafin/2nhw2w1 |
Acting |
Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you. |
Carol | Channing | It Happened On Broadway |
Acting |
The basic essential of a great actor is that he loves himself in acting. |
Charles | Chaplin | |
Playwriting |
If there is a gun hanging on the wall in the first act, it must fire in the last. |
Anton | Chekhov | http://www.ag.wastholm.net/category/art |
Playwriting |
I swear fearfully at the conventions of the stage. |
Anton | Chekhov | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
The critics suppose that it is easy to write a play. They aren't aware that writing a good play is difficult and writing a bad one is twice as hard. |
Anton | Chekhov | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
A good play tells us the truth about its hero; but a bad play tells us the truth about its author. |
G.K. | Chesterton | http://www.ag.wastholm.net/category/art |
Backstage, Management |
Tell me and I'll forget, show me and I may remember, involve me and I'll understand. |
Chinese Proverb | ||
Costumes |
Why don't I just give you some money, then you can buy whatever you want to wear on stage. You obviously want a shopper, and I am merely a designer. [said to an uncooperative actress during a costume fitting] |
Nan | Cibula-Jenkins | The Audience Book of Theatre Quotations, by Louis Phillips |
Critics, Playwriting |
Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don't like - then cultivate it. That's the only part of your work that's individual and worth keeping. |
Jean | Cocteau | |
Acting |
Whatever you do kid, always serve it with a little dressing. |
George M. | Cohan | Friendly Advice by Jon Winokur |
Fundraising |
Appreciation can make a day--even change a life, Your willingness to put it into words is all that is necessary. |
Margaret | Cousins | http://www.museummarketingtips.com/quotes/giving.html |
Critics |
I have always been very fond of them . . . I think it is so frightfully clever of them to go night after night to the theatre and know so little about it. |
Noel | Coward | www.musicals101.com/noelquot.htm |
General |
The theatre should be treated with respect. The theatre is a wonderful place, a house of strange enchantment, a temple of illusion. What it most emphatically is not and never will be is a scruffy, ill-lit, fumed-oak drill hall serving as a temporary soap box for political propaganda. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Acting |
Many years ago I remember a famous actress explaining to me with perfect seriousness that before making an entrance she always stood aside to allow God to go on first. I can also remember that on that particular occasion He gave a singularly uninspired performance. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Acting |
She stopped the show--but then the show wasn't traveling very fast. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Acting |
In the first act, you get the audience's attention - once you have it, they will repay you in the second. Play through the laughs if you have to. It will only make the audience believe there are so many of them that they missed a few. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Acting |
Of course, the age-old tradition that a star must appear even if he or she is practically dying is an excellent one, but it can be carried too far. I one played a performance of The Knight of the Burning Pestle with a temperature of 103 and gave sixteen members of the company mumps, thereby closing the play and throwing everybody out of work. There may be a moral lurking somewhere in this, but I cannot for the life of me discover what it is. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Playwriting |
It's no use to go and take courses in playwriting any more than it's much use taking courses in acting. Better play to a bad matinee in Hull - it will teach you much more than a year of careful instruction. Come to think of it, I never did play to a good matinee in Hull . . . |
Noel | Coward | www.musicals101.com/noelquot.htm |
Acting |
I will accept anything in the theatre . . . provided it amuses or moves me. But if it does neither, I want to go home. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Acting |
You ask my advice about acting? Speak clearly, don't bump into the furniture and if you must have motivation, think of your pay packet on Friday. |
Noel | Coward | www.musicals101.com/noelquot.htm |
Acting |
Acting is not a state of being ... but a state of appearing to be. You can't be eight times a week without going stark staring mad. You've got to be in control. |
Noel | Coward | |
General |
I will accept anything in the theatre . . . provided it amuses or moves me. But if it does neither, I want to go home. |
Noel | Coward | http://theatre.usc.edu/whatistheatre |
Acting, Shakespeare |
You have to think about the big speeches in Shakespeare as the most important things the character has ever said; they need to be spoken with your chest cut open, your heart bare, and with tremendous passion. You need to tear the words from the sky. If you don't feel like you've run a marathon when you're done, you're not doing it right. It takes courage to open yourself up to an audience like that, letting them see your insides without desperately trying to show them--it takes practice. |
Ben | Crystal | author of Shakespeare on Toast |
Lighting |
An effective lighting design is like a beautiful painting. Your medium is bringing someone to an emotional state he or she would not achieve at that moment without your art. This does not and can not happen by accident. |
Glen | Cunningham | Stage Lighting Revealed |
General |
The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater. |
Robertson | Davies | |
Acting |
I do not regret one professional enemy I have made. Any actor who doesn't dare to make an enemy should get out of the business. |
Bette | Davis | http://www.quotationspage.com/subjects/acting |
Acting |
Pray to God and say the lines. |
Bette | Davis | Friendly Advice by Jon Winokur |
Acting |
One of the things about acting is it allows you to live other people's lives without having to pay the price. I've never been one of those actors who has touted myself as a fascinating human being. I had to decide early on whether I was to be an actor or a personality. |
Robert | De Niro | |
Acting, Set Design |
I started off as a theatre designer, and by some extraordinary circumstance I saw something in Stratford-upon-Avon, and realized that that's the kind of design I want, but also that that's the kind of designer I'll never be. |
Judi | Dench | http://www.brainyquote.com |
Fundraising |
In his book, Managing the Non-Profit, Peter Drucker noted that most non-profits are woefully ignorant about “market knowledge.” Passionate non-profit leaders firmly believe that what they are doing merits support, but many are unable to articulate to others the importance of the project and why donors should contribute to it. If you can articulate quickly, passionately, and convincingly why your project should be done, you will have much more success. |
Bill | DeWalt |
http://www.artsconsulting.com/pdf_arts_insights/insights_sept_2013.pdf |
Acting |
I would like to be going all over the kingdom...and acting everywhere. There's nothing in the world equal to seeing the house rise at you, one sea of delightful faces, one hurrah of applause! |
Charles | DIckens | www.angelfire.com/dc/musicthea/Quotes.html |
General |
There is no greater gift that a person can be given than to be put in touch with his creativity. [Theatre] transformed my life. [Director Declan Donnellan on discovering theatre as a lonely 16 year old.] |
Declan | Donnellan | The Guardian |
General |
To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner. |
Eleanora | Duse | http://izquotes.com/ |
Acting |
A good actor makes clear the meaning of the words. A better actor gives also the emotion of the part. The best actor adds emotion of which the character is unconscious. |
Clare | Eames | The Audience Book of Theatre Quotations, by Louis Phillips |
Costumes, Lighting, Set Design |
The sole aim of the arts of scene-designing, costuming, lighting, is to enhance the natural powers of the actor. |
Robert | Edmond Jones | The Audience Book of Theatre Quotations, by Louis Phillips |
Set Design |
There is no more reason for a room on a stage to be a reproduction of an actual room than for an actor who plays the part of Napoleon to be Napoleon, or for an actor who plays Death in the old morality play to be dead. |
Robert | Edmond Jones | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
When you're doing a play and you're afraid of a scene, that's the scene you should embrace, because that's the scene that will tell you something about the play. |
Raul | Esparza | NY Times, 11/26/06 |
Acting |
7 tips to reduce stage fright: (1) Shift the focus from yourself and your fear to your true purpose: contributing something of value to your audience. (2) Stop scaring yourself with thoughts about what might go wrong. Instead, focus your attention on thoughts and images that are calming and reassuring. (3) Refuse to think thoughts that create self-doubt and low confidence. (4) Practice ways to calm and relax your mind and body, such as deep breathing, relaxation exercises, yoga, and meditation. (5) Try to limit caffeine, sugar, and alcohol as much as possible. (6) Visualize your success: Always focus on your strength and ability to handle challenging situations. (7) Give up trying to be perfect and know that it is OK to make mistakes. Keyword=stagefright |
Janet | Esposito |
http://www.adaa.org/understanding-anxiety/social-anxiety-disorder/treatm... |
Set Design |
Eugene Lee is a set designer who's famously said that he hates scenery. The reason it's such a joy to work with him is he's never designing the scenery, he's designing the room in which theater is going to take place. It makes for a much more vibrant conversation about what we're going to work on together. [Oskar Eustis , artistic director of the Public Theater, Boston] |
Oskar | Eustis | http://www.boston.com/ae/theater_arts/articles/2007/01/21/the_joy_of_sets |
Acting |
If you cried a little less, the audience would cry more. |
Edith | Evans | Friendly Advice by Jon Winokur |