Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Playwriting |
I see the playwright as a lay preacher peddling the ideas of his time in popular form. |
August | Strindberg | |
Acting |
Onstage, nothing is as important as truth, nothing. As soon as you lie, they know it. |
Elaine | Stritch | It Happened On Broadway |
Acting |
You can't be funny unless you're tragic, and you can't be tragic unless you're funny. |
Elaine | Stritch | |
Acting |
You cannot tell an audience a lie. They know it before you do; before it's out of your mouth, they know it's a lie. |
Elaine | Stritch | |
Acting |
Audiences are not strangers to me. They're the best friends I've got in my life. |
Elaine | Stritch | |
Acting |
These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what 'technique' means. But I do know what experience is. |
Elaine | Stritch | |
Playwriting |
In a good play every speech should be as fully flavored as a nut or apple. |
J.M. | Synge | http://www.brainyquote.com/ |
Acting |
Act in your pauses. |
Ellen | Terry | Friendly Advice by Jon Winokur |
Acting |
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence--the three I's--are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination. |
Ellen | Terry | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting, Shakespeare |
Shakespeare's plays are bad enough, but yours are even worse. [Tolstoy to Chekov] |
Leo | Tolstoy | Partial Payments: Essays on Writers and Their Lives, by Joseph Epstein |
Acting |
Know your lines and don't bump into the furniture. |
Spencer | Tracy | Friendly Advice by Jon Winokur |
Playwriting |
Show me a congenital eavesdropper with the instincts of a Peeping Tom and I will show you the making of a dramatist. |
Kenneth | Tynan | The Audience Book of Theatre Quotations, by Louis Phillips |
Critics |
A critic is a man who knows the way but can't drive the car. |
Kenneth | Tynan | New York Times Magazine, Jan 9. 1966 |
General |
No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what was happening in the world. |
Kenneth | Tynan | http://www.brainyquote.com/quotes/authors/k/kenneth_tynan.html |
Critics, Playwriting |
The sheer complexity of writing a play always had dazzled me. In an effort to understand it, I became a critic. |
Kenneth | Tynan | http://www.brainyquote.com/quotes/authors/k/kenneth_tynan.html |
General |
Theater is life, film is art, television is furniture. |
Unknown | ||
General |
All the world's a stage. Some of us just have better seats. |
Unknown | ||
Lighting, Set Design |
When it's good design, you alone will know. When it's bad design - everyone will tell you! |
Unknown | ||
Acting, Directing |
The two happiest days in a theatre person's life: The day you start on a new show and the day the thing closes. |
Unknown | ||
Management |
As nearly everyone knows, a manager has practically nothing to do except to decide what is to be done; to tell somebody to do it; to listen to reasons why it should not be done, why it should be done by someone else, or why it should be done in a different way; to follow up to see if the thing has been done; to discover that it has not; to inquire why; to listen to excuses from the person who should have done it; to follow up again to see if the thing has been done, only to discover that it has been done incorrectly; to point out how it should have been done; to conclude that as long as it has been done, it may as well be left where it is; to wonder if it is not time to get rid of a person who cannot do a thing right; to reflect that he or she probably has a family, and that certainly any successor would be just as bad, and maybe worse; to consider how much simpler and better the thing would have been done if one had done it oneself in the first place; to reflect sadly that one could have done it right in 20 minutes, and, as things turned out, one had to spend two days to find out why it has taken three weeks for somebody else to do it wrong. |
Unknown | ||
General |
THEATRE LOGIC A drop shouldn't and a Tripping is O.K. A Strike is work |
Unknown | www.angelfire.com/dc/musicthea/Quotes.html | |
Acting |
Every performer has moments of self doubt. The great ones, however,overcome every obstacle to reach their full artistic potential. It takes talent, to be sure, but it also takes a personality that simply will not settle for second best. That's what makes us respect the effort and admire the results. |
Unknown | www.angelfire.com/dc/musicthea/Quotes.html | |
Fundraising |
Most giving is 80% emotion and 20 % rational. And the best way to get to someone's emotions is to tell a story. |
Unknown | ||
Acting, Directing, General |
I think that first nights should come near the end of a play's run--as indeed, they often do. |
Peter | Ustinov | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
I learned acting by doing it. And although I had never taken an acting class, it didn't take long to learn how to be on the stage. All you have to do is to be humiliated in front of an audience a few times. If you don't like being humiliated publicly, you learn how to act. |
Ron | Vawter | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
A talent for drama is not a talent for writing, but is an ability to articulate human relationships. |
Gore | Vidal | http://theatre.usc.edu/whatistheatre |
Playwriting |
Playwriting isn't a calling so much as it is a hazing process. |
Paula | Vogel | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting, Directing, General, Playwriting |
The only way to see the value of a play is to see it acted. |
Voltaire | ||
General |
It is the characteristic of the most stringent censorships that they give credibility to the opinions they attack. |
Voltaire | ||
Acting |
Talk low, talk slow, and don't say too much. |
John | Wayne | Friendly Advice by Jon Winokur |
General, Management |
The artistic director gratifies his special need to relate to people in a highly accentuated paternalistic and maternalistic fashion. |
Philip | Weissman | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting, Directing |
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act. |
Orson | Welles | |
Acting |
It isn't what I do, but how I do it. It isn't what I say but how I say it - and how I look when I do and say it. |
Mae | West | |
Acting, Directing, General |
The play was a great success, but the audience was a disaster. |
Oscar | Wilde | http://theatre.usc.edu/whatistheatre |
General |
The stage is not merely the meeting place of all the arts, but is also the return of art to life. |
Oscar | Wilde | http://www.worldofquotes.com |
General, Playwriting |
I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being. |
Oscar | Wilde | |
Acting |
I love acting. It is so much more real than life. |
Oscar | Wilde | http://www.quotationspage.com/subjects/acting |
Directing |
An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation. |
Billy | Wilder | Friendly Advice (book) |
Playwriting |
A dramatist is one who believes that the pure event, an action involving human beings, is more arresting than any comment that can be made upon it. |
Thornton | Wilder | |
General |
The theatre is supremely fitted to say: "Behold! These things are." Yet most dramatists employ it to say: "This moral truth can be learned from beholding this action." |
Thornton | Wilder | |
Lighting |
Lighting design is ultimately not about numbers and calculations. It is about feelings and spontaneous reactions. Although the designer can calculate how 'big and bright' a fixture will be at any distance, from the manufacturer's data sheet, eventually he must just instinctively 'know', how a specific fixture will perform at any distance. This comes from both practice and experience. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
The first rule of stage lighting is...there aren't any. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
Ultimately, the lighting designer must be an artist! He must understand style, composition, balance, esthetics and human emotions. He must also understand the science of light, optics, vision, the psychology of perception and lighting technology. Using these tools the lighting designer must learn to think, feel and create with his heart. |
Bill | Williams | Lighting Mechanics, by Bill Williams |
Lighting |
The lighting designer will never stop learning. Every production or project will present new challenges, new obstacles, new human dynamics and new problems to solve. There can and should be many failures along the way. This is part of the artistic process. The lighting designer shouldn't hesitate to make as many mistakes as possible - just don't make the same mistake twice. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
Stage lighting is no longer a matter of simple illumination as it was less than 100 years ago. Today, the lighting designer is expected to be a master of art, science, history, psychology, communications, politics, and sometimes even mind reading. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
The stage designer quickly learns that things are not always what they appear to be. A director who asks for 'more light' on an actor, probably doesn't mean that at all. Instead he really just wants 'to see the actor better'. The designer might chose to reduce the lighting contrast around the actor, or simply ask the actor to tip his head up a bit. Both solutions solve the problem without 'adding more light'. So the lighting designer also has to be a good listener, a careful interpreter and a skilled crafts person. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Lighting |
Stage lighting is no longer a matter of simple illumination as it was less than 100 years ago. Today, the lighting designer is expected to be a master of art, science, history, psychology, communications, politics and sometimes even mind reading. |
Bill | Williams | http://www.mts.net/%7Ewilliam5/sld/sld-100.htm |
Playwriting |
It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write. |
Tennessee | Williams | The Audience Book of Theatre Quotations, by Louis Phillips |
Playwriting |
I can't expose a human weakness on the stage unless I know it through having it myself. |
Tennessee | Williams | http://www.notable-quotes.com/p/playwriting_quotes.html |
Playwriting |
I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people, really. |
Tennessee | Williams | |
Playwriting |
Why did I write? Because I found life unsatisfactory. |
Tennessee | Williams | |
Playwriting |
I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success. |
Tennessee | Williams | |
Playwriting |
If the writing is honest it cannot be separated from the man who wrote it. |
Tennessee | Williams | |
Playwriting |
Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one's own character to himself. |
Tennessee | Williams | |
Playwriting |
Most playwrights go wrong on the fifth word. When you start a play and you type 'Act one, scene one,' your writing is every bit as good as Arthur Miller or Eugene O'Neill or anyone. It's that fifth word where amateurs start to go wrong. |
Meredith | Willson | |
Playwriting |
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking. |
August | Wilson | http://www.notable-quotes.com/p/playwriting_quotes.html |
Fundraising |
Be thankful for what you have; you'll end up having more. If you concentrate on what you don't have, you will never, ever have enough. |
Oprah | Winfrey | http://www.museummarketingtips.com/quotes/giving.html |
Acting |
Every now and then, when you're on stage, you hear the best sound a player can hear. It's a sound you can't get in movies or in television. It is the sound of a wonderful, deep silence that means you've hit them where they live. |
Shelley | Winters | |
Critics |
Has anybody ever seen a dramatic critic in the daytime? Of course not. They come out after dark, up to no good. |
P.G. | Wodehouse | New York Mirror, 27th May 1955 |
Volunteers |
Volunteers will get you through times of no money better than money will get you through times of no volunteers. |
Ken | Wyman |