Theatre Quotes | Page 82 | AACT

Theatre Quotes

Words to the Wise
Quotations from a wide range of theatrical perspectives

For use in newsletters, season or fundraising brochures or emails, presentations--you name it.

Displaying 406 - 410 of 421. Show 5 | 10 | 20 | 40 | 60 results per page.
Category Quotesort descending First Last Source
Costumes

Your eyes will always go to red, which is why there is a lady in red in all my shows.

Florence Klotz It Happened On Broadway
Directing, Diversity & Inclusion, Management

A diversity of voices is inherently innovative—the form of theatre changes depending on who is telling the story. By investing in diversifying the voices that are amplified through live theatre, we are contributing to the growth of the art form.

Round House Theatre

Round House Theatre statement on Equity, Diversity, Inclusion, and Accessibility [ https://www.roundhousetheatre.org/About/Equity,-Diversity,-and-Inclusion ]

Directing, Diversity & Inclusion

Anti-racist theatre is not about doing all the things to end oppression at once; it’s about doing what you can. Small changes in behavior and thinking can have profound impacts on you and your organizational culture. For me, when directing, those small changes have manifested in changing my adherence to the myth that there wasn’t enough time to do the work, which resulted in pleasantries before rehearsal but no time set aside during rehearsal for people to acknowledge one another. Now every rehearsal I lead begins with a check-in to acknowledge what we’re bringing into the room; access needs are shared, and we honor the indigeneity of the land. Through session agreements we collectively define how we want to do the work. I find people appreciate having the space to bring the fullness of themselves to their art making.

Nicole Brewer American Theatre, September 16, 2019 [ https://www.americantheatre.org/2019/09/16/why-equity-diversity-and-inclusion-is-obsolete/ ]
Diversity & Inclusion, Playwriting

I write for myself, and my goal is bringing that world and that experience of Black Americans to life on the stage and giving it a space there.

August Wilson
Acting, Diversity & Inclusion, Shakespeare

In a backstage interview during “The Taming of the Shrew,” Julia exclaims, “Some people think the only way to do Shakespeare is to do it like the British do it, because the British have the answer to Shakespeare! So I would imitate all the British.” He launches into a plummy version of “Othello,” and continues, “But then afterward I started realizing that I didn’t have to do it like that. I could bring myself to it. I could bring my own culture, my own Puerto Rican background, my own Spanish culture, my own rhythms.” Shakespeare benefitted from what Julia brought to his verse, which the actress Rita Moreno describes as salero. “It just means he was spicy,” she says, in the documentary. “And sexy, and tall!”

Raul Julia New Yorker article by Michael Schulman, September 13, 2019

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