Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category |
Quote |
First | Last | Source |
|---|---|---|---|---|
| Fundraising |
In his book, Managing the Non-Profit, Peter Drucker noted that most non-profits are woefully ignorant about “market knowledge.” Passionate non-profit leaders firmly believe that what they are doing merits support, but many are unable to articulate to others the importance of the project and why donors should contribute to it. If you can articulate quickly, passionately, and convincingly why your project should be done, you will have much more success. |
Bill | DeWalt |
http://www.artsconsulting.com/pdf_arts_insights/insights_sept_2013.pdf |
| Fundraising |
In good times and bad, we know that people give because you meet needs, not because you have needs. |
Kay | Grace | http://www.museummarketingtips.com/quotes/giving.html |
| Acting, Directing, General |
In creating and performing in a play, there is a sense of common purpose, of living something outside of yourself, of hauling to one common goal. All these different artistic disciplines are corralled into one purpose, and in the process, incredibly strong bonds are created. |
Eric | Stern | It Happened On Broadway |
| Management |
In community theatres, "doers" seem to do the following: act, direct, choreograph, accompany, design, build, find, sew, sell, or usher. "Managers" plan, organize, staff, supervise and evaluate. Doers, like directors and crew chiefs, also "manage," and managers like stage managers also sometimes "do"--find props, paint sets, or hang lights. Leaders can also be managers and/or doers, but in their leadership capacity their activities include these: dreaming, pushing, causing to grow, problem-solving and inspiring. Their qualities of intelligence, imagination, commitment, perseverance, and passion are the very qualities that invite the rest of us to say "Yes!" |
Twink | Lynch | Boards In the Spotlight, p. 95 |
| Directing |
In comedy, beware the split focus. The audience should focus on the face of the actor. The audience must see the setup. If there is action elsewhere on the stage, the comic line can be lost. |
James | Carver | Stage Directions Guide to Directing |
