Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
| Category | Quote |
First |
Last | Source |
|---|---|---|---|---|
| Lighting |
I think that the first thing that I learned about lighting design was that there are no real rules involved and that as long as I remembered this then my lighting would remain fresh and interesting to me and hopefully to the audience and to the people that I collaborate with. |
Jock | Munro | http://www.artsalive.ca |
| Lighting |
Theatre is interesting because it's a very collaborative process. Typically I'm working with a director, a set designer, a costume designer and a sound designer too. That means that there are a number of perspectives that are brought into any particular script. Typically the director has the final say in where we go conceptually with a piece but we all have an opportunity to influence that direction and typically that direction is based on the script. As such, my studies in english and philosophy have enriched my ability to take a look at a text and react to it in my own way so that I can bring to the table what I consider to be an informed perspective. Then we negotiate the project's process and it's always quite enriching. Projects basically come out of a bond of trust that you have created. As I have progressed throughout my career I have gravitated to people who I feel a common bond with; who I seem to be able to communicate with. We establish a trust and then we go about our project. Very often I will work with someone for three or four years and we will have a particularly creative time and then, for whatever reasons, we will go our separate ways and new bonds will be established. It's an extremely communal approach to the arts. [Lighting designer Jock Munro] |
Jock | Munro | http://www.artsalive.ca |
| General, Lighting |
I find that kids who take conventional approaches whereby they study in theatre schools and then become assistants to established artists at various reputed institutions like Stratford and the National Arts Centre have a kind of fast-track to the knowledge process. Very often they become very useful to the institutions for their knowledge. At the same time they are often are denied the fundamental experiences that you get when you are actually producing your own theatre and making decisions yourself among your own peers. I think it's really important to place more emphasis on that than on getting a formal training. You can probably successfully, after you've gotten the buzz and you've become intoxicated if you want to enhance your knowledge in certain areas then it's worthwhile to go back to the institutions and find a niche. I found my niche though being a stagehand. You can be an assistant. You can be a production assistant. I think the key is to be around people who really, truly love what they are doing first, although they might not necessarily know what they are doing. [Lighting designer Jock Munro] |
Jock | Munro | http://www.artsalive.ca |
| General |
This is an extremely foolish and stupid and idiotic kind of attitude--to expect theatres to make money. Do the public schools make money? Do libraries make money? Does the zoo make money? Do the sewers make money? It's a community service. |
John | Hirsch | The Audience Book of Theatre Quotations, by Louis Phillips |
| Acting, Backstage, Directing, General |
There is a kind of classlessness in the theater. The rehearsal pianist, the head carpenter, the stage manager, the star of the show--all are family. |
John | Kander | It Happened On Broadway |
