Theatre Quotes | Page 31 | AACT

Theatre Quotes

Words to the Wise
Quotations from a wide range of theatrical perspectives

For use in newsletters, season or fundraising brochures or emails, presentations--you name it.

Displaying 151 - 155 of 421. Show 5 | 10 | 20 | 40 | 60 results per page.
Category Quote First Lastsort ascending Source
Acting, Directing, General

Opening Night: The night before the play is ready to open.

George Jean Nathan The Audience Book of Theatre Quotations, by Louis Phillips
General, Playwriting

Drama - what literature does at night.

George Jean Nathan
Playwriting

The Russian dramatist is one who, walking through a cemetery, does not see the flowers on the graves. The American dramatist . . . Does not see the graves under the flowers.

George Jean Nathan The Audience Book of Theatre Quotations, by Louis Phillips
Lighting

I think that the first thing that I learned about lighting design was that there are no real rules involved and that as long as I remembered this then my lighting would remain fresh and interesting to me and hopefully to the audience and to the people that I collaborate with.

Jock Munro http://www.artsalive.ca
Lighting

Theatre is interesting because it's a very collaborative process. Typically I'm working with a director, a set designer, a costume designer and a sound designer too. That means that there are a number of perspectives that are brought into any particular script. Typically the director has the final say in where we go conceptually with a piece but we all have an opportunity to influence that direction and typically that direction is based on the script. As such, my studies in english and philosophy have enriched my ability to take a look at a text and react to it in my own way so that I can bring to the table what I consider to be an informed perspective. Then we negotiate the project's process and it's always quite enriching. Projects basically come out of a bond of trust that you have created. As I have progressed throughout my career I have gravitated to people who I feel a common bond with; who I seem to be able to communicate with. We establish a trust and then we go about our project. Very often I will work with someone for three or four years and we will have a particularly creative time and then, for whatever reasons, we will go our separate ways and new bonds will be established. It's an extremely communal approach to the arts. [Lighting designer Jock Munro]

Jock Munro http://www.artsalive.ca

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