Theatre Quotes
For use in newsletters, season or fundraising brochures or emails, presentations--you name it.
Category | Quote | First | Last | Source |
---|---|---|---|---|
Management |
The core challenge for us as arts managers is to deal with change: changing external environmental conditions, evolving styles and approaches to the arts by our artists, advancements iin how we present and distribute our art to our ever-changing audiences, and the shifting competition for resources and attention. |
William J. | Byrnes | Management and the Arts (Fifth Edition) |
Acting |
When I was a fireman I was in a lot of burning buildings. It was a great job, the only job I ever had that compares with the thrill of acting. |
Steve | Buscemi | http://theatre.usc.edu/whatistheatre |
Acting |
The most important thing in acting is honesty. If you can fake that, you've got it made. |
George | Burns | Friendly Advice by Jon Winokur |
General |
Theatergoing is a communal act, movie going a solitary one. |
Robert | Brustein | http://izquotes.com/ |
General |
The primary function of a theater is not to please itself, or even to please its audience. It is to serve talent. |
Robert | Brustein | |
Fundraising |
If you need to raise funds from donors, you need to study them, respect them, and build everything you do around them. |
Jeff | Brooks | |
Directing |
The work of rehearsal is looking for meaning and then making it meaningful. |
Peter | Brook | |
Directing, General |
The purpose of theatre is... making an event in which a group of fragments are suddenly brought together... in a community which, by the natural laws that make every community, gradually breaks up... At certain moments this fragmented world comes together and for a certain time it can rediscover the marvel of organic life. The marvel of being one. |
Peter | Brook | |
Acting |
Preparing a character is the opposite of building--it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore. |
Peter | Brook | |
Directing, Diversity & Inclusion |
Anti-racist theatre is not about doing all the things to end oppression at once; it’s about doing what you can. Small changes in behavior and thinking can have profound impacts on you and your organizational culture. For me, when directing, those small changes have manifested in changing my adherence to the myth that there wasn’t enough time to do the work, which resulted in pleasantries before rehearsal but no time set aside during rehearsal for people to acknowledge one another. Now every rehearsal I lead begins with a check-in to acknowledge what we’re bringing into the room; access needs are shared, and we honor the indigeneity of the land. Through session agreements we collectively define how we want to do the work. I find people appreciate having the space to bring the fullness of themselves to their art making. |
Nicole | Brewer | American Theatre, September 16, 2019 [ https://www.americantheatre.org/2019/09/16/why-equity-diversity-and-inclusion-is-obsolete/ ] |
General |
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself. |
Bertolt | Brecht | www.angelfire.com/dc/musicthea/Quotes.html |
Acting |
Nobody "becomes" a character. You can't act unless you are who you are. |
Marlon | Brando | Friendly Advice by Jon Winokur |
Acting |
Acting, in general, is something most people think they're incapable of, but they do it from morning to night. The subtlest acting I've ever seen is by ordinary people trying to show they feel something they don't, or trying to hide something. It's something everyone learns at an early age. |
Marlon | Brando | Newsweek, 13 March 1972 |
Acting |
Acting is the expression of a neurotic impulse. It's a bum's life. The principal benefit acting has afforded me is the money to pay for my psychoanalysis. |
Marlon | Brando | |
Acting, Directing |
I think actors have a greater responsibility when doing comedy. It's as easy as anything to get cheap laughs, but that's not the idea at all. "The slight trip syndrome," we call it. With tragedy one can get away with things a bit more because audiences don't always know how to react. |
Peter | Bowles | Richmond Magazine, April 2001 |
Acting |
Actors should be overheard, not listened to, and the audience is fifty percent of the performance. |
Shirley | Booth | Friendly Advice by Jon Winokur |
Backstage |
Beat to fit, paint to match. |
Kate | Bolgrien | http://www.denagy.com/techiejokes/tjokes.html |
General |
Theatre is like a virus: once you get it you can't get rid of it. |
Robin | Boisseau | http://www.hamptonu.edu/academics/schools/libarts/fparts/facultyandstaff.htm |
Acting |
Acting is experience with something sweet behind it. |
Humphrey | Bogart | |
Directing |
The truth is that there is no one accepted method for directing, any more than there is for any other art. How a director fares is greatly dependent on who that person is, his collaborators, and the project at hand. To complicate matters, the relationship between product and process isnt't always a direct and causal one. Some directors work themselves to the bone, while others do very little. Paradoxically, they achieve successes and failures in both categories. But it would be naive not to believe that most successful productions occur because of the intensive efforts of a skilled director. |
Michael | Bloom | Thinking Like a Director: A Practical Handbook |
Directing |
In the most basic terms, the director is a production's primary storyteller. A play has only one plot (including subplots), but it contains many potential stories. The interpretation of the primary characters largely determines the story, so in effect, every production of the same play will inevitably tell a different tale. One of the most important functions a director fulfills is determining, with the actors and designers, which story to tell and how to tell it coherently. |
Michael | Bloom | Thinking Like a Director: A Practical Handbook |
Directing |
Most directors work from inside out and from the outside in. They concentrate not only on the life of the characters but also on the play's structrual or external elements, including its central conflict, function, event, architecture, and suspense. |
Michael | Bloom | Thinking Like a Director: A Practical Handbook |
General |
If politics is the art of the possible, theatre is the art of the impossible. |
Herbert | Blau | The Audience Book of Theatre Quotations, by Louis Phillips |
General, Management |
Someone once said that being an artistic director is the intelligent exercise of one's own taste. And that is what I believe with all my heart and soul. If you start second-guessing yourself in advance, I think you're done for. |
Andre | Bishop | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting, Playwriting |
A play has two authors, the playwright and the actor. |
Eric | Bentley | In Search of Theater |
Lighting |
Lights are to drama what music is to the lyrics of a song. The greatest part of my success in the theatre I attribute to my feeling for colors, translated into effects of light. |
David | Belasco | The Audience Book of Theatre Quotations, by Louis Phillips |
Costumes, Set Design |
Be daring, be different, be impractical; be anything that will assert integrity of purpose and imaginative vision against the play-it-safers, the creatures of the commonplace, the slaves of the ordinary. Routines have their purposes, but the merely routine is the hidden enemy of high art. [Advice to theatrical designers,] |
Cecil | Beaton | The Secret of How to Startle Theatre Arts May 57 |
Acting |
For an actress to be a success she must have the face of Venus, the brains of Minerva, the grace of Terpsichore, the memory of Macaulay, the figure of Juno, and the hide of a rhinoceros. |
Ethel | Barrymore | George Jean Nathan: The Theatre in the Fifties |
Playwriting |
I haven't really written my plays and books -- I've heard them. The stories are there already, singing in your genes and in your blood. |
Sebastian | Barry | |
Acting |
An actor is a sculptor who carves in snow. |
Lawrence | Barrett | http://www.satheatre.com/quotes.htm |
Acting |
The theatre has built a whole art round the actor, based on the man and his double - the actor and his character. |
Jean-Louis | Barrault | http://www.satheatre.com/quotes.htm |
General |
I don't see why people want new plays all the time. What would happen to concerts if people wanted new music all the time? |
Clive | Barnes | |
Acting |
Acting is a matter of giving away secrets. |
Ellen | Barkin | |
Playwriting |
A good play is a play which when acted upon the boards make an audience interested and pleased. A play that fails in this is a bad play. |
Maurice | Baring | http://theatre.usc.edu/whatistheatre |
Acting |
If you want to help the American theatre, don't be an actress, be an audience. |
Tallulah | Bankhead | Friendly Advice by Jon Winokur |
Acting |
It's one of the tragic ironies of the theatre that only one man in it can count on steady work -- the night watchman. |
Tallulah | Bankhead | Tallulah: My Autobiography |
A play is a series of actions. A play is not about action, nor does it describe action. Is a fire about flames? Does it describe flames? No, a fire is flames. A play is action. Why do you think actors are called actors? And action in a play occurs when something happens that makes or permits something else to happen. |
David | Ball | Backwards & Forwards: A Technical Manual for Reading Plays | |
Acting |
Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops. |
George P. | Baker | http://www.brainyquote.com/quotes/quotes/g/georgepba199310.html |
General, Playwriting |
The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name. |
Enid | Bagnold | |
Playwriting |
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake. |
W.H. | Auden | |
Acting, Directing, General |
Although the theater is not life, it is composed of fragments or imitations of life, and people on both sides of the footlight have to unite to make the fragments whole and the imitations genuine. |
Brooks | Atksinson | |
General, Playwriting |
Good plays drive bad playgoers crazy. |
Brooks | Atkinson | Theatre Arts Aug 56 |
General |
The theater, which is in no thing, but makes use of everything -- gestures, sounds, words, screams, light, darkness -- rediscovers itself at precisely the point where the mind requires a language to express its manifestations. To break through language in order to touch life is to create or recreate the theatre. |
Antonin | Artaud | |
General |
The aim of art is to represent not the outward appearance of things, but their inward significance. |
Aristotle | The Audience Book of Theatre Quotations, by Louis Phillips | |
Backstage |
Definition of Stage Manager: The person who rarely gets credit when everything goes right. |
Anonymous | ||
Acting |
I don't make mistakes, I have unintentional improvisations. |
Anonymous | ||
Acting |
As an actor, you can't play the tragedy. You can only play the choices, the intentions of your character. |
Christine | Andreas | Notes for CD "The Garland Variations" |
Playwriting |
The mission of the playwright is to look in his heart and write, to write whatever concerns him at the moment; to write with passion and conviction. Of course the measure of the man will be the measure of the play. |
Robert | Anderson | Theatre Arts Mar 58 |
Acting, General, Playwriting |
The thing that makes a creative person is to be creative and that is all there is to it. |
Edward | Albee | wisdomquotes.com/ |
Playwriting |
A playwright is someone who lets his guts hang out on the stage. |
Edward | Albee | http://www.curtainup.com/quotepro.html |
Playwriting |
People often ask me how long it takes me to write a play, and I tell them 'all of my life.' |
Edward | Albee | http://www.curtainup.com/quotepro.html |
Acting |
Don't use your conscious past, use your creative imagination to create a past that belongs to your character. I don't want you to be stuck with your own life. It's too little. |
Stella | Adler | Friendly Advice by Jon Winokur |
Acting, Directing |
The most important thing you can teach actors is to understand plays. |
Stella | Adler | The Audience Book of Theatre Quotations, by Louis Phillips |
Acting |
It's not enough to have talent, you have to have a talent for your talent. |
Stella | Adler | |
General |
The word theatre comes from the Greeks. It means the seeing place. It is the place people come to see the truth about life and the social situation. |
Stella | Adler | http://www.brainyquote.com |
General |
The theatre is a spiritual and social X-ray of its time. |
Stella | Adler | http://www.brainyquote.com |
General |
The theatre was created to tell people the truth about life and the social situation. |
Stella | Adler | http://www.brainyquote.com |
Acting |
We've put a man on the moon. If you miss a cue, no one will die. |
Shelli | Aderman | www.angelfire.com/dc/musicthea/Quotes.html |
Playwriting |
The dramatist's function is (1) to earn a living for his family and himself and (2) to try to entertain people for a few hours. |
Lee | Adams | Playwrights, Composers, Lyricists on Theater |
Acting |
Don't think you're funny. It'll never work if you think you're funny. |
George | Abbott | Friendly Advice by Jon Winokur |